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31 Ekim 2026

Beyond Exile (7)

Published in February 2026  

Previous chapter: Yer Üstünden Notlar: Beyond Exile (6)

The characters, institutions, and events in this novel are entirely fictional. They bear no relation to real persons, institutions, or events. Any similarities that may appear to exist are the result of coincidence. 

                                                   7

Why have I told you the things above in such detail, and why have I dramatized it to this degree with the hackneyed techniques that I learned from you — I really don't know. Will it do more harm than good to my story that has been tearing me off into pieces for months on the way to the completion, -how hard is the art of writing? I wish I could have known earlier!- Have I bloated the insides of all my readers by straying down these unnecessary side roads? I think I told it so that there might be a degree of reciprocity or equality between us. One might also call it the triumph of the insatiable sense of justice in my heart; as if it’s overthrowing me and my plans. I may have thought to myself: you have been listening to yourself through my eyes all this time — now listen to me through my eyes for a while. After all, while you were benefiting from the colorful blessings of the orderly life that marriage brought, like a sinner who has unexpectedly tumbled into a garden of paradise, I thought you might want to know that in my life too, events were unfolding in exactly the opposite direction — that while you were going up I was falling down, that we were once more, through observation confirming an indisputable law of physics. After all, we will never meet face to face, right? We will never sit across from each other at a table and eat dòu jiǎo qié zi[1], one of your favorite dishes, or sit across from each other at Barfly under a dirty yellow light, drinking beer and listening to the melancholy melodies of amateur guitarists drifting toward midnight. I almost feel as though I can see you reading these lines with your sardonic gaze, waving your left hand as if giving way to a pedestrian and saying, "These are technical details, my dear — let's skip this chatter. Get to the point, return to the story, don't bore the reader with the small problems of your small life. Who cares about your unfulfilled desires!"

Yes — while you were settled in your seat rising toward the Shenzhen skies, I was clutching Hundun and crying, but to be frank, I myself didn't know exactly what I was crying about. The man I called my husband, whom I introduced at the beginning of this story as the purest, most naive, most good-hearted man in the world — that wretch! — had come to me about two weeks earlier and asked whether we should divorce. There was nothing in this situation that called for enormous reactions. According to him, we had been living like two friends in the house, no different from two prisoners of fate locked up in the same prison; apparently we had run out of things to talk about, we were looking at others rather than each other when we were together; apparently our common ground had run dry, we had begun to tire of each other's presence — both body and soul. Well, well, well — how cunning, how spineless, how shameless! You leech, you centipede, you desert rat! My husband of yesterday — tongue-tied, reluctant about every undertaking, sluggish and lazy — had suddenly turned into a slick politician. But ours is no different from a coffee machine! Makes a great deal of noise — gurr grurr churr curr — and the result? Two drops of coffee barely covering the bottom of the cup! Do you think I'm going to be mocked by these tricks — I was going down those same roads when you were coming back! Of course I grew suspicious. Someone else has definitely entered this man's life, I told myself, and I set in motion all manner of password crackers and technical surveillance applications that I had never once used on him because I had trusted him infinitely until that day. And what did I find? It turned out I had been nurturing a scorpion in my bosom without knowing it. Not one, not two — I found exchanges with at least seven different women, their sweet-blessings and darling-conversations, their flirtations decorated with words to conjure up every variety of sexuality, and even semi-nude photographs taken with some of them — the lentil had gone into the oven, been cooked, and in fact burned[2]. One evening when I came home I threw all of it in his face; I waited for him to apologize, to beg me to forgive him, to fall at my feet — but the man — my husband of years had disappeared, and a libertine who considered philandering his natural right had come in his place — took the brazen route and began to blame me. Apparently, I had been very absent-minded lately, paid no attention to him, always busy with something at the computer. We weren't even eating together anymore; going out together was a longing he had been deprived of for years. If I hadn't neglected him, none of this would have happened. Without blaming him, without shouting and screaming, without unjustly applying society's universal moral rules to our particular situation, I should first have stood before a mirror, looked at my own face, and drawn up a list of my own mistakes. My hands had begun to tremble, my voice to crack, a darkness like fog suddenly descending on peaks of high mountains had begun to fall before my eyes. Such insolence, such brazenness, such shamelessness I had neither seen nor heard in all my life. In the end I had screamed at him to get out of my house — get out! I also vaguely remember flinging the tissue box on the table at his head. You deserve neither this home nor me nor happiness. Get out, go — go into the arms of those women whose insatiable appetite you satisfy. Go, let me not see your face. Go or I'll call the police. Go, I'll call your mother and tell her everything...

He had gone. He had hastily packed a few bags and left the house. After he left, I sat alone in the empty house and listened to the walls and the furniture. All right — we didn't have a perfect marriage, but we had peace; we had the deep respect and care we felt for each other; we had the readiness to be each other's cushion, each other's crutch, each other's quilt and mattress when the time came. What has happened to all of that now? Is it all going to be destroyed because of a few loose women? Is the thick rope we've been weaving together for years going to snap because of a few people with no self-knowledge? A few days after my husband left, I wrote him a long letter. Let us sit and talk; you apologize; promise that such betrayals will never be repeated; and I will pour thick concrete over all this filth and build a brand-new house on the foundations — new walls, new windows, even sparkling new furniture. Let this be a house where I can pay closer attention to you, take your needs more into account, determine our future together with decisions we make jointly. He told me he had received the letter and would think it over. What is there to think over, man! You are the one at fault, and you have been given one last chance. If anyone should be playing hard to get, it should be me! Before you, stands your wife of twenty years, in all her magnanimity. What more is there to think about? With what mind, what conscience, what heart will you think? The foolishness was mine of course! At that moment I should have realized that this man could no longer come to his senses, that he had long since entered a road of no return, and that on the horizon awaiting me only one single option was possible. But it didn't happen — I couldn't do it. I didn't lose hope; I waited and waited for the evening when my door would be knocked, when he would appear on the threshold with a bouquet of roses, carnations, and lilacs in his hand, and looking at me with an embarrassed smile, say "I'm sorry my love, I was an asshole, I was an idiot, I was an animal — please forgive me!" I didn't lose hope until the very last moment. And it is precisely for this reason, I think, that I reacted so violently. Heart is broken, soul is broken, body is broken — I collapsed and expelled to the last drop the poisonous molecules of hope that had seeped into me.

After the divorce proceedings began, without waiting for the outcome, I moved to an apartment with a direct view of your building. According to the lawyer — his lawyer; I didn't feel the need to spread the sordidness I had lived through — even if the process took a long time, the outcome was certain. Since there was no child involved the judge wouldn't have difficulty reaching a verdict. Moreover, my husband had stated as his grounds for divorce that he "desired to have children before growing too old." Well, the cunning wretch! He can hardly say I want to go on sleeping with other women! The institution called family is like this, Naci Teacher — they alone know your weakest point, and they hit it again and again until you bleed to death, until you hand all the strings to them. Didn't you write in a story years ago: "Lies, damned lies, and families." How right you were! I didn't dwell on it much, frankly. Why would I continue with a man who had written me off in his mind — why would I give him second, third, fourth chances? I would go my way, find a secluded corner to lick my wounds clean, heal, and spend the rest of my life in health and comfort. And for this very reason — before he had even mentioned it — I left the house where we had lived together for years. I moved to my own apartment where wounds would close more quickly, where inflammation would dry and scab would mature faster and fall away without leaving a trace. My new apartment — two hundred meters from yours, from whose balcony I could see your balcony.

I was free now; I furnished my home according to my own taste. To make Hundun comfortable in his final days, I put cushions, water bowls, and cardboard boxes in every room, including the bathroom. I placed a wooden step so he could climb up onto the sofa by himself. The poor creature, unaware of all that had happened, hobbled on his back leg and got used to the new home. In the first days, I too was quite disoriented. When you live with someone for years, they become a part of you. Let them have betrayed you as much as they like; let them have become unrecognizable through what they did to you in recent times. When that piece is torn away, the void it leaves behind begins to threaten the existence of what remains, like black holes collapsing inward, like an imploding wreckage. I, of course, in the first weeks — especially taking advantage of your absence too — blamed myself abundantly. All right — I can admit that I neglected him, that I spent less and less time with him, that I didn't pay much attention to his needs. I think this state of affairs began after you and Canary separated, or it had begun before, but only after Canary had I myself noticed the seriousness of the situation. In the early days, my approach to you was not very different from a teacher's approach to a student. The terms of the one-sided contract between us contained only technical surveillance, status updates, and reporting. I was an entirely objective and impartial teacher who put you through exams and gave you grades. But as the years passed, the nature of what was between us changed too. Because you changed, I changed; the world around us was torn down, and brand-new worlds were built. At first, you were the child I had lost — I was the mother spreading a net beneath you as you climbed so you wouldn't fall from the tree. Then, as I came to know you, as I read what you wrote and watched what you did, you became in my eyes a young man who had lost his way in China and was always getting himself into trouble. A man who never quite came to his senses, who could only get his head out of one trouble by plunging into another — half reckless, half haphazard, addicted to pride and admiration. While following you on roads, in bars, restaurants, on the metro, on trains, in shopping centers, my mind would sometimes fix on your physical features too. You were tall, your shoulders broad, your hair thick, your face bright, your steps firm. Perhaps you weren't very handsome, but your nose and eyebrows were enough to charm Chinese girls. I would see many girls turn and look at you as you walked past, and inside I would be angry with them. I wanted to go and shout in their faces. I wanted to say, "What are you looking at — he is mine. Mind your own business." After all, that was how it was — I was the shepherd, you were the sheep. I couldn't leave you to the wolves. Yet for all that, I couldn't open my mouth and say a single word. I stored these shouts inside me. Naturally, these shouts, piling up and hardening, could find a way out and turn into weapons that cracked the heads of others with no connection to the situation. My husband, who brought a serving spoon from the kitchen instead of a soup spoon, certainly didn't deserve to be shouted at that much! The man who parked the car not at the shopping center exit but a hundred meters further and made me walk in the heat didn't deserve his wife's silent torment of hours of sulking either. When I fell into your net, when I became attached to you, when I began to see you not as a foreigner to be surveilled but as a lover to be loved and kissed and hugged and held to the chest — it was then, I think, that the first seeds of our divorce began to appear. When I made love with my husband, you always came between us. Instead of his chubby hands, your large hands would grip my hips; instead of his full lips, your somewhat thin lips would kiss my shoulders. When I moved my fingers back and forth through his straight, short, dense hair, I was in fact stroking your long and curly hair. My fingertips would get lost in it — my nails with their chipped polish, the wedding ring strangling my ring finger... I would get lost in those same soft reeds, in the games of hide-and-seek where the sun appeared and disappeared, in the shadow of the proud gaze of the long slender reeds weeping with longing...[3] I would vanish as if not wishing to be found, like a teenager who has quarreled with her parents and run away from home, beneath the guardian necks of the broken street lamps. While he entered me and thrashed about on top of me like a puppet whose strings had partly snapped, performing the same lovemaking routine for goodness knows how many times, I would see your face, feel your body, hear your heartbeat, and wind my arms, lengthened by love, around you. When we finished, and he and I began to sleep back to back, I would hold you, gaze at the cold light falling on your left shoulder, kiss your neck for a long time, nibble gently at your ear, and whisper, "Come, let's do it again. This time let him not come between us at all." Yes — I confess it. Many times I made love with you in my dreams, in my imagination, in the notebooks I filled with coded notes. Perhaps they were all nothing but dreams — but for a woman like me, who lives more by her feelings than her mind, these unions were far more precious than real ones. But still, I did not come before you, did not try to turn your head, did not sit down beside you at a bar and accidentally-on-purpose spill my glass of wine over you. If I had wanted to, I could have done it easily. Behaving like one of the hundreds of thousands of Chinese girls who spoke English, I could have spent a night with you — or even a week or a month. I could have spent a weekend afternoon with you on the star-patterned sheets of a vast galaxy-wide bed in an out-of-the-way hotel. The reason I didn't was, of course, first and foremost that I was married. I am emotional but not stupid or dishonest. To imagine something is one thing; to put it into practice and act on it physically is something else entirely. If only my idiot husband had merely fantasized about other women and not slept with them — but where in him is such intelligence, where in him even a tenth of the powers of discernment I have. Not that it did me much good. I ended up being blamed anyway. I became the incompetent wife who couldn't keep her husband. I became the ungrateful woman who, with the misfortune she carried around with her, ruined a perfectly good marriage. You wrote somewhere — in one of your journal notes I think — that talent and curse are in a dialectical relationship. One carries the other in its womb. When the time comes, it gives birth to it. And what is born contains itself again. An endless vicious cycle, a tangle of hope and despair. Ahhh Naci Teacher — couldn't you be wrong just once in your life?

There was a second reason for which I did not act on it. It was the worry that drawing close to you, becoming a visible planet in your orbit, entering each other's gravitational fields and constructing a new equilibrium, making ourselves indispensable to each other, would harm us both. I loved you from a distance — the way one watches a wild elephant stamping through dust and earth, the way one stares with enchanted eyes at the television images of a volcano ready to erupt, the way one is entranced by the image of a moss-green forest being bathed in the rays of the morning sun. Do you know why people love to look at a view, Naci Bey? The real reason is not at all as commonly believed. It is not the beauty, the grandeur, or the sublimity of the view that draws a person — it is its distance and inaccessibility. A person can stare for hours at a hillside full of monstrous buildings, just as one might lean one's back against the rocks of Paiyashan and gaze at the shores of Hong Kong while looking out at the Pacific Ocean's waves. The most important function of a view is to protect you from the distracting qualities of what is near. What is near is loaded with detail, and this load inevitably weighs on, slows, and tires your consciousness. When you keep the distance, you cannot see the details; there is a sea, there is you, and in between, sun reflections winking at you like broken pieces of mirror, iridescent shimmer appearing on the surface as the horizon draws near, and further still a barely visible ship of unclear origin and destination. Or a dense forest — so dense you cannot see the trees. You cannot see the fox cubs running among these trees whose existence you have firmly believed... When everything is this superficial, consciousness relaxes; unable to find a hook to catch on, it turns to the only thing it can touch — itself — goes deep, brings to the surface the beauties and evils that were swept under the rug during the daily bustle. The pleasure a person looking at a view feels is simply the astonishment of the person who, touching their tongue to the damp walls of these long-forgotten silent wells, quenches their thirst. In those wells, incompleteness and frustrations find new names; autumn beats its drying branches against spring; shame turns to pride, dust to salt, love to reproach. This is why people love to look at a view, and this is why I loved watching you from a distance. If you drew closer, skin to skin, eye to eye, heart to heart, we would both have gone up in flames. From a distance you were beautiful — your thoughts, your body, and your curly hair tossed by the wind and tickling your face were beautiful because they made me forget my own incompleteness; I forgot the reality that I could not become a mother while reading the sentences you wrote and erased; I ignored the reality that I shared a home with a husband who did not love me while following you fifty meters behind on deserted streets; I turned a blind eye to my unhappiness and helplessness while fixating on your troubles as if they were my own. And it was to ensure the continuation of this ongoing state that I took this apartment too. Moving to an apartment at what might be called a reasonable distance from you — and yet at the same time half a minute's flying distance — what else could it be but the carefully calculated outcome of my plan to turn you into a view in the true sense, my esteemed Naci Bey, my dear teacher?

I would imagine you as I sat on the balcony of my new home and watched your balcony. I knew you would come at the end of summer, that you would drink coffee and read books on that balcony in the mornings, that you would while away the time there in your sleeveless vest and shorts until the weather warmed up. In your absence I watched for days the empty chair, the flowers on the verge of drying out, and a coffee cup forgotten on the table — I could tell what it was when I looked through binoculars. I thought most of all about my ending marriage, asked myself over and over why this man had waited so many years if his only concern was to have children. Or was I truly to blame? When I understood that I could not have children, should I have been the one to suggest we separate? I can't do it, but there's nothing wrong with you — let us divorce, marry again, build your happy family with your new wife, and have as many children as you like. For not saying this — for not being able to say it — should I have been considered selfish? But why had this man endured it — the prison walls I had built around him without even being aware of it? Why hadn't he approached me earlier, like a civilized person, and why hadn’t he told me the rebellions gnawing at him? Questions multiplied upon questions; sometimes I would see you on the empty balcony, imagine that you saw me too, and plunge into long conversations with you like two neighbors who have come out to their windows, heedless of the distance between each other. Yes — perhaps this was the reason. It was all because of you. All of it had happened because I couldn't keep you far enough from me. Am I being unfair? To whom? Am I not the most wronged person here? How could I possibly be unfair to anyone? You are looking at me and smiling. I hear you saying, "Don't go looking for a scapegoat." I can hear you even with 10,000 kilometers between us — two hundred meters is nothing. And that is the problem! You got inside me once and never came out again. With your voice, your face, your skin — but most of all with your thoughts — you conquered me. There were times when I didn't know what percentage of the existence I presented to the outside world was truly my own. Yes — for years it was not because of my husband but because of you that I was able to stay on my feet. For me there was you, and you were enough. You were my child who understood nothing, my wayward son who had come of age, my lover whose skin I desired rubbing my skin; you were in every part of me, and you were everything to me. And where was that man called my husband? Busy making the plump calves of other women quiver. He made his choice; I made mine. I am not sorry, and I will not be. Let no one — especially my mother's sharp tongue — claim otherwise and push me over the edge.



[1] Dòu jiǎo qié zi (豆角茄子) — a classic Hakka dish of green beans and eggplant braised together, simple and deeply flavored; a staple of home cooking in southern China.

[2] A Turkish idiom for saying “Things happened long ago without we had a clue about it”.

[3] Reference to Rumi’s famous poem: Listen to the story of the reed / As it laments the pain of separation.

 

26 Ekim 2026

Beyond Exile (6)

  

Published in February 2026

Previous chapter: Yer Üstünden Notlar: Beyond Exile (5)    

The characters, institutions, and events in this novel are entirely fictional. They bear no relation to real persons, institutions, or events. Any similarities that may appear to exist are the result of coincidence. 

                                                            6

Ah, that day — the day that makes my heart sizzle like meat on a grill whenever I remember it; that fickle day on which I shuttled back and forth between light and dark, between hope and despair, between courage and fear, on which even the weather was confused — opening up one moment, raining the next, smiling then sulking. That ill-fated day on which I didn't know where to place you in my life, on which I clasped you to my chest one moment in great love and flung you from the balcony the next in hatred. While you waited at the airport in excitement for your turn at the queue, there was a woman nine people behind you — I wonder if you remember? I was wearing a light blue dress with white flower embroidery, puffed at the shoulders, short-sleeved, long-skirted. There was light makeup on my face — a little cream and blush to erase the traces of sleepless nights, a faint sakura pink on my pale lips. Unexaggerated, simple, misty spring blues covering the yellows of autumn inside me. As if to represent the opposite of the tangled pathways in my head, my hair was long, soft, and straight that day, and at the border where my forehead ended and my hairline began there was a burgundy headband, its sides filled with star patterns, its top with gilded hearts. A sweet butterfly childhood placed over the sulking middle-age syndrome. At one point our eyes even met — I must have caught myself off guard, because squinting and puffing out my cheeks I smiled at you like a mother meeting her thirteen-year-old son at the school gate. You too lifted your head from the phone in your hand and looked in my direction with blank eyes. You weren't sure whether I had smiled at you or whether the person I was smiling at was you. You half-focused on a point behind me — the rain outside, or the long-legged Air France flight attendants walking behind me at that moment? — but the hook of your mind had caught on me. Who was this woman? Why had she smiled at you? Had you perhaps seen her somewhere before? At the supermarket? At a restaurant? On the metro? At Insomnia, where you used to go often? Her face didn't seem entirely unfamiliar! No, no — you were seeing this face for the first time. She looked a few years older than you, perhaps the same age. She must have confused you with someone. But no — you too had noticed that there was something belonging to you in those eyes; you too had understood that this contained a long-running captivity hidden inside a momentary mistake. There was helplessness in that gaze, a search for hope, the loneliness of a message in a bottle thrown into the sea. You had noticed this but there was nothing you could do. You couldn't come over and say hello. Your wife beside you, your child, two months of summer holiday ahead of you, your mother in the country you were heading to, your sister, your nephews and nieces, your friends... If anyone was to be blamed it should be this woman — appearing before you like a genie sprung from a lamp and muddling your head. We women are always like this. We muddle men's heads — it's no wonder we have been the symbol of chaos since ancient times. Our yes is never a full yes, our no never a full no. We wait for the man before us to draw out the no inside our yes and the yes inside our no. And when our tongues are tied, we appear just like this — at our most alluring — like a princess taking revenge on the prince who rejected her, troubling clear water purely for the mischief of it.

You're right, Naci Bey. What can I do — perhaps you haven't been able to tell from what I've written up to now, but I am human too. Made of flesh and blood and bone just like you, and in fact more of flesh and blood and bone than you. I couldn't bear the reality of not seeing you for two months. I thought I'd give you a proper send-off — if I couldn't pour a bucket of water after you left[1], I could at least shed a few tears. Joining a queue was not in the plan, nor was capturing your gaze, but what could I do — I couldn't help myself. It happened in a moment of weakness. What meaning would memories have without regrets, isn't that so? For more than ten years you have been my sun by day and my star by night. And I — in your eyes — am nothing but a pale-faced moon appearing in the sky on a bright clear day. An unnecessary thief of light, an idler who has lost her way and her direction, a sand dune surrounded by thousands who resemble her... For a single moment I was defeated by my weakness and smiled at you. And at that moment I felt the barbed wire you had woven around yourself begin to crush you, to squeeze your soul like a steel vice and tear it apart. Those were eyes saying give me your hand and pull me out of this swamp. Eyes saying this is not me, what I am living is not life. Unfortunately, I am not as free as you are when it comes to floundering in the swamps I enter and sinking ever deeper, my highly esteemed Naci Bey. The moment I realized the foolishness of what I had done and the moment I disappeared were one and the same. Had I been exposed, never mind losing my job — I could have gone to prison. Understand then the magnitude of the risks I took for you; even if you don't respect them, appreciate them, or agree with them — understand. Wrap me up and place me at the bottom of the deepest chest in your house, like a sacred amulet whose power is drawn from the faith in the heart of the master who breathed life into it...

Disappearing from the view was not too difficult. I went up to the upper floor where the dining halls were and sat somewhere from which I could see you without difficulty. From there I watched your bright face and the body whose lines had softened after marriage to my heart's content. Inside, I uttered stock phrases left over from Çalıkuşu[2] — "Safe travels, Naci Bey. Don't forget us, send a letter now and then..." Outside, tears I couldn't hold back — like Adile Naşit's[3] eyes filling as she says "Ah, my poor child!" — trembling hands, legs going hollow. When had these legs last shaken like this? I think it was in my final year of high school, when I gave a speech at a ceremony explaining the meaning and significance of the day. The whole school — two thousand five hundred students and two hundred teachers — had fallen silent and were listening to me. Not just my legs but my arms and hands had gone hollow that day too. A similar situation now. An inner voice asking "What is happening to me like this?" — your voice answering "What hasn't happened? A lot of water has flowed under the bridge. You have grown up, become an adult woman, but not once in your life have you truly been in love." An inner voice saying "Can't you not go?" — your voice answering, "I can't — I'll be back in two months, you know. Love is getting old together, not a sudden feeling; it is a construction that always demands effort, it is setting off on the same road but not always looking in the same direction. You know all of this, dear." "Dear?" — my inner voice. "Ha ha! You could at least not have taken that sluggish creature with you." Your answer that doesn't come... Silence; a sharp pain like a paper cut on my fingertips that won't quickly die down; a burning like nettles rubbed on my calves. For the first time you are going away for this long, this far. You are in safe hands — my heart is a little at ease. When I say safe — that woman, known as your wife — who knows, perhaps she too will read these lines one day! I hope she doesn't — what does she read anyway? She's supposed to be a literature teacher as well! I read more than she does. If I took her classes, I'd have her shamed within two days! — let her not go thinking she's something. Every woman struts about like a boss when she's around you anyway. Let her not puff herself up unnecessarily as though she's taming a Bengal tiger while she keeps a Van cat[4] at home. You are in safe hands because that woman won't give you an inch of anything in life. Wherever you go she'll follow; she'll have a say in everything; she'll play the new bride, she'll hold forth on every subject as though she knows what she's talking about. No — I will not utter a single word of praise for her. Because she doesn't deserve it. No different from a cat. If she licks your hand, she's doing it so you'll wet your hand and clean her head with it. She married you for convenience, and you married her for convenience — but in the long run the scales have always tipped toward her side. So much so that even in the matter of lovelessness she has almost doubled you. That is — her lovelessness toward you is considerably greater than your lovelessness toward her, and this situation bothers me greatly. Fortunately, thanks to the spyware loaded on your phone, I will continue to hear your voice and read the messages you send here and there. I don't think you'll write much in your journal, but I'll check that occasionally too. With you, one never knows — sometimes you produce your finest work at the most unexpected moments. As you put it: "An artist must be caught working — inspiration being that shy fairy."

And there — you took the passports from the woman at the desk. I too came downstairs, to give you a proper send-off. You look like a typical family man — three passports in one hand, your boarding passes hanging from between the pages like tongues stuck out at me, a small suitcase pulled with your index finger, your orange backpack hanging from your right shoulder, the child playing a game on his iPad beside you, your wife reading the history of Türkiye on her phone and asking you questions every so often. "It turns out that the day the Second Constitution was proclaimed was also the day Kang Youwei set foot in Istanbul. The man complained in his diaries about why we Chinese couldn't do the same. Did you know this?" "Of course I know, dear. I even know that during that trip a son was born to Kang, who was in his fifties, by his seventeen-year-old Cantonese wife who accompanied him." You are walking toward the exit; first Xiao Ma and Wang Chenxi pass through passport control, then last of all you receive your stamp, and without turning to wave at me even once, you pass through the door. I wait until your silhouette behind the frosted glass has disappeared entirely, among the happy faces seeing off their loved ones. I wave my hand, held at the level of my hip, secretly in your direction...

Coming out of the airport, I decide to take the metro home. I think that if I mingle with people I can steal a little of their visible hopes, put them in my own bag, and pull my mind together. And that is what happens. In each face a separate world — the patient and steadfast gazes of mothers with children, the heavy bags in fathers' tired arms, the well-earned contentment of grandmothers and grandfathers savoring a love that requires no effort, the children's endlessly cheerful cries... I force myself to bring my school years before my eyes. My student years spent in two different cities of Türkiye. Learning Turkish at TÖMER[5] language courses in Ankara, then entering Boğaziçi University's Department of Turkish Language and Literature through the quota opened to foreign students, after passing a simple exam. Two years in Ankara, five years in Istanbul. A thesis titled Matriarchal Longing and Rebellion in the Works of Sevgi Soysal[6], and graduation. A full seven years I had spent in Türkiye, accumulating a pile of knowledge I had learned without knowing what use it would be, without caring. The dozens of books I had read. When we were in Ankara, because we went everywhere together as a group of Chinese students, people called us the swans of Kuğulu Park. Because every weekend we went there with friends. To those who said this, we would reply, "And you are the youth of Gençlik Park" — as if we were making some terribly witty response. Thinking of it now — how absurd, childish, and naive those words sound. When you've just learned the language, you can't catch these nuances, of course! By the time I moved to Istanbul, I was speaking Turkish fluently. I could read Ömer Seyfettin, Sait Faik, and even Orhan Pamuk in the originals. I had even sat beside the driver in a dolmuş[7] and collected the fares a few times. Istanbul had come to me like medicine after Ankara. Its history, culture, and people were different, of course — but what I was most fond of was the Bosphorus. Most of all — the cormorants that dove into the azure waters and emerged a few meters further on; the seagulls that decorated the city's sky like birthday party ceiling decorations; the penniless lovers walking arm in arm along the shore; the tired but self-assured rumbling of the ferries; the inexhaustible optimism of the simit sellers who worked rain or shine; the soft faces, steam-kneaded, of the retired uncles who sold tea in paper cups; the act of pulling a warm sip of cinnamon sahlep while swallowing in one gulp a lokma sweet wounded by a toothpick[8]... If left to myself with nothing to do I could have sat from morning to evening on the benches along the Emirgan shore. How could anyone turn their back on that sea, those waves, that view through which history flows before one's eyes moment by moment, curtain after curtain? On cool days I would walk along the shore from Bebek to Yeniköy, then cross by rowboat to Beykoz. I had an insatiable hunger for learning, an inexhaustible energy, an endless hope in those days.

Ah Beykoz — how many memories I have with you. You were the place in Istanbul that was most my own. The place where my voice came out loudest, where you gave me the chance to be myself, where I never tired of being breathless on your steep inclines, where I cracked sunflower seeds and gossiped over warm tea with the old women sitting in front of their gecekondu[9] houses, where my heart filled with uncanny feelings as I walked past the abandoned factories of Paşabahçe, where I greeted the craftsmen smoking outside the glass workshops on the verge of closing and asked them for directions, where I smilingly refused the would-be mothers-in-law who grabbed my arm at every opportunity and said "Let me have you for my son, be my daughter-in-law, oh how sweet you are!" where I lost myself watching the children playing football on the dirt pitch in Çukurçayır — the most beautiful district of Istanbul, treated like a stepchild despite being within Istanbul... I had a boyfriend in those days too — Serkan, two years older than me, studying engineering. The beautiful days when we climbed the Beykoz hillsides hand in hand, arm in arm, pushing and pulling each other along, our cheeks turning red, pink, purple, our loose clothes billowing like flags in the ever-strengthening wind, our voices becoming inaudible from the roaring, yet our hearts somehow finding a way to synchronize, when there was no room for anything but love to pitch its tent in my head... Whether we managed to be a couple, I'm not sure — let me say we tried. We had struggled, spent quite a lot of time and effort trying to lock our bodies together, and like novice pastry apprentices who, meaning to roll the dough thin, accidentally punch holes in it to the left and right, we too had opened irreparable wounds in each other's souls through ill-timed words and the expectation spears our families had planted in us. Neither of us had experience in these matters — he lacked the patience needed to understand a woman; I lacked the wisdom to overlook men's impatience. At the end of a relationship lasting about two years, we both realized we had entered a dead end and gave each other up. I had gone out with other boys before him, but the person I had gone furthest with, grown most attached to, put most of myself into, and from whom the most pieces had been torn when we parted was Serkan. Nothing made me as happy as my small hands disappearing inside his large ones. When he wrapped his woolen scarf around my neck — I still smell his cheap cigarettes when I put a scarf around my neck — when he threw his thick arm over my shoulder and tapped out a melody with his fingers, when he brought his breath close to mine and fixed his dark eyes on my eyes and smiled, when he touched his bristle-sharp stubble to my skin and kissed my neck — and most of all, when he made no sound as I leaned my head on his shoulder watching the sunset and let sweet tears fall without minding the shiver inside me — I rejoiced like an explorer who has found the greatest treasure on earth... Like all passionate loves unencumbered by reason and anxiety about the future, ours too went flying off the road and rolled into the ditch at the first bend it entered. Serkan left for America the moment he graduated. I never heard from him again. He didn't write, didn't call, didn't send a word through mutual friends. Two years after him, I too graduated. I left Türkiye like a hapless little boat chugging off toward the open sea, quietly, calmly, with waves whose touch resembled a fish's kiss.

Then of course the return to China, beginning the most boring job in the world as a secretary at a small company, the search for a suitable husband under pressure from my mother and father, hopelessness, loneliness, shame, and as a result of all these — Turkish novels, poems, and stories that I read just to feel different, Yeşilçam[10] films that I watched over and over... Then my luck suddenly turned. First, my meeting with a handsome plainclothes officer who found me because I knew Turkish — if he hadn't been married, I could have killed two birds with one stone! Confidentiality conditions, intensive training, lies told to the family, a new job, a new life, a new identity. Close surveillance of Turks living in the country and monthly reporting. A well-paid, low-load, enormously responsible job. Just right for me! And one day, at one of the dinners organized by the alumni association, I ran into my high school sweetheart, learning that he too was single, that he too was floundering in a tangle of relationships whose disastrous endings were predictable from the start, under pressure from his parents. We had found each other like two wretches fallen into the sea, one blind and one with a crippled arm, and from that point on we couldn't let go. I became his eyes, he became my arms. Do I need to tell the rest? You know the rest. Everyone knows...

My daydreams had brought me to this point when I arrived at Futian station. It had long been time to return to reality. When I entered Exit C toward my home, I noticed the escalator wasn't working. I swore in Turkish. After all, no one understands. I have lived here and used this metro station for more than ten years — this was the first time I had seen this escalator not working. I got mildly irritated, but immediately told myself there was nothing to be done and huffed and puffed my way up the steps. The heat and humidity receive me like prison wardens. Come, they say, come — we are where you left us. Where are you? With the airport, the metro, you forgot Shenzhen's merciless weather. Just past the exit there was construction work. The ground had turned muddy from the rain. I turned to the left side of the road so nothing would splash on me and made my way along the wall. Passing in front of the Electricity Distribution Authority building, a sewage smell that made the bones of my nose ache nearly knocked me unconscious. This smell happens after every single rain without exception — in other cities, after rain the streets, parks, and gardens smell of earth, of grass; here apparently, the only thing that overflows is the drainage system. Why don't they do something about it? Am I the only one bothered by this heavy stench? Does it suit a beautiful and well-ordered city like Shenzhen? When I entered the complex where my home is, I took a deep breath with the relief of having left the smell behind — but in vain. The hills I had climbed had soaked me through completely; my back was sticky, beads gathering on my forehead trickling down from my temples. How hot it was — if June is like this, what will we do in July, in August! A heavy stagnant water smell coming from the puddles on the ground; the choking humidity of the garden steaming like a temple filled with incense; two pieces of black dog excrement left in the middle of the walkway by one of the irresponsible dog-owner neighbors... Oh honestly — when will these people learn to take responsibility for everything their dogs do? Everything means everything! Not just the food that goes down the dog's throat but also what comes out of its backside is your responsibility. I am shaking my head as I pass the two black spots when the child of four or five on a tricycle coming quickly from the opposite direction loses their balance and falls. I run to the child and pick them up. The child's grandmother comes over shouting and hollering, gives the little one two pretend slaps on the backside, and doesn't offer me the slightest word of thanks. With the teeth she has recently had done — which look not as though they belong to her but have been borrowed from her thirty-year-old daughter, which look as if they'll fly out of her mouth if she relaxes — she virtually growls at me. She even looks at me with irritated eyes as if the child fell because of me. This crone is about to snap at me too! I continue my way in utter amazement. My spirits are low — why do these grandmothers treat everyone outside their own family as an enemy? When I don't have a child with me, do I not deserve respect? What is their problem? What do these brain-deficient cuckoos think of themselves — those whose only achievement in life is having had children, and who on that basis alone walk around puffed up like scientists who have split the atom? Did I ask not to become a mother? Did I choose this path? Do you think this is a personal preference? Ha???

Just at that moment a crunch comes from under my foot. "Dammit," I say. I swear ten times more colorfully than the oaths I uttered at the top of the non-working escalator. Under my foot a large, crushed snail, bubbles rising from a sticky amalgam of slime and shell, the first traces of death on the transparent surface scattering the sun's rays. I wipe the bottom of my open-toed shoes thoroughly on the grass. What were you doing in the middle of the walkway, snail — there's so much grass, so many trees in the garden. Drag your slime, stick yourself to wherever you like! You can climb thirty-story buildings if you want. The fault is mine though — I wasn't looking where I was going. My mind was on that quarrelsome grandmother who can't manage her own grandchild but offloads her own carelessness onto everyone else. I think to myself — if I could just get home without anything else bad happening to me, sit down in front of the blowing air conditioner and let out a deep sigh of relief — but where do I have that kind of luck. Bad events are like sneezes — once they start, they don't easily stop. Just as I am about to enter the building, I spot an injured bird a few meters beyond the bushes. It looks as though it's dying — barely hanging on to its last moments. Even the fact that it's breathing is barely visible. I crouch and look; picking it up with a large leaf I place it somewhere high enough that the cats can't reach it. If it's going to die, let it die in peace at least — let it not be torn to pieces by the complex's cats.

A strange feeling comes over me. An unrelenting rumbling in my stomach, heat flushing through me everywhere, a dizziness as though I've stood up suddenly makes my legs tangle, my stomach churning like the inside of a dormant volcano about to erupt.

Fortunately, there is no trouble with the elevator. I go up to the twenty-third floor and open the door to my apartment. Hundun greets me, heedless of his limping back leg, rolls over on the floor, waits for me to stroke his belly — but I am quite exhausted from the heat and from what I've experienced in the last fifteen minutes. I turn on the air conditioning and collapse into the corner of the sofa like a sack of potatoes. I breathe deeply and slowly. Each time the cold air from the air conditioner hits my forehead, face, and shoulders, the soul that was about to leave my body returns; I come back to life, my veins fill with blood. At that moment, Hundun comes to me again, rubbing his head and neck against my legs. Since he can't jump up onto the sofa I grasp him with my hands and lay him full-length beside me. I stroke and massage his belly, his chin, his forehead, his front paws properly. His soft fur does good to my touch-starved soul. The blood that just filled my veins begins to flow — rushing, gleaming, shimmering... I feel as if I am under one of the waterfalls we come across climbing Wutongshan. I pull off the headband and fling it onto the coffee table like a queen resigning from her duties at court. At that moment a white envelope catches my eye. This wasn't here this morning — did my husband leave it? Is it work-related? Did he stop by the house while I was out? If he came for laundry or something! He might have forgotten it too! I open it and look inside. A pile of documents, a long list of items. Photocopies of documents relating to property. When I read the heading on the top sheet, I am shaken as if struck by lightning. DIVORCE PETITION it says in large letters. Before I can even think who is divorcing whom, the rumbling inside me returns this time with a far more violent force. The pressure is unbearable. Holding my mouth with my hand, bent double, I run to the bathroom — my foot catches but I don't fall — not my luck! — I stick my head into the toilet and retch and heave until everything in my stomach is out. Hundun meows at the bathroom door, the poor creature worried, probably thinking something might happen to his housemate and he'll be left without food and water! At that moment you come to my mind — you and your little family. There must be twenty-five minutes until takeoff. You will have fastened your seatbelts; the flight attendants will be walking up and down the cabin wiggling their neat little backside, saying please turn off your devices, fasten your seatbelts, keep your window shades open, bring your seats to the upright position. Your eyes are on the book in your hand — Laughter in the Dark, Nabokov — one hand on the edge of the page, the other somehow on my back. You lean in and stroke my back with all your tenderness. I feel the movement of your fingers on the clasps of my bra. You move your hand downward in one direction along my neck. "It's over now, it's all out, all of it," you say. I open my eyes. I straighten up and stand before the sink — my terrible face in the mirror, my exhausted eyes, the vile taste filling my throat. Looking at the yellowish stomach contents slowly trickling down from the corners of my mouth, I say: "Bon Voyage, Professeur Naci. Bonne chance!"


[1] A Turkish tradition, remaining residents of the house pour a bucket of water right after a beloved person leaves home for a long journey.

[2] Çalıkuşu - "The Wren," the beloved 1922 novel by Reşat Nuri Güntekin, one of the most widely read Turkish novels of the twentieth century. The narrator is gently mocking her own sentimentality by comparing her inner monologue to the novel's famously melodramatic romantic language.

[3] Adile Naşit (1930–1987) — a beloved Turkish actress and comedian, famous for her warm and expressive face, particularly her emotional eyes. A deeply recognizable cultural reference for Turkish readers.

 [4] The name used for Persian cats in Turkish. Its name comes from the city “Van” in Eastern Türkiye.

[5] TÖMER — the Turkish Language Teaching and Research Center, part of Ankara University, which offers Turkish language courses to foreign students and professionals.

[6] Sevgi Soysal (1936–1976) — one of Türkiye's most important feminist writers, known for her politically engaged and boldly female-centered fiction.

[7] Dolmuş — a shared minibus or taxi that runs on a fixed route in Turkish cities, traditional to Istanbul's street life.    

[8] Simit is a circular bread coated with sesame seeds, lokma is a Turkish fried dough sweet, typically soaked in syrup and served at street stalls; sahlep is a warm Turkish winter drink made from orchid flour, traditionally spiced with cinnamon.

[9] Gecekondu, literally "built overnight," the Turkish term for informal or squatter housing, typically found on the outskirts of cities.

 [10] Yeşilçam — literally "Green Pine," the name of the street in Istanbul that historically housed Türkiye's film industry, used as a blanket term for classic Turkish cinema, particularly the melodramas of the 1960s and 70s.

24 Ekim 2026

Beyond Exile (5)

  

Published in February 2026

Previous chapter: Yer Üstünden Notlar: Beyond Exile (4)        

The characters, institutions, and events in this novel are entirely fictional. They bear no relation to real persons, institutions, or events. Any similarities that may appear to exist are the result of coincidence.    

                                    5

The first thing marriage taught you was the unbearable lightness of ordinariness, and the opportunity that monotony offers a person to go deeper than usual. For the first time in your life, you were pondering the meaning of a cup's handle, gazing at a laundry rope with wonder, puzzling over the complex patterns on the bedsheets. It was as though you had stepped off a high-speed train and sat on a bicycle. The world and everything in it had slowed to the fullest extent, waiting for you to crouch over them and bring to light details that no one had ever mentioned before. Your mind was so calm, so quiet, so bright that you were looking at your surroundings to set the halted wheels turning again, to prove to yourself that you were still alive. And so, you began to acquaint yourself with the details of many things you had not previously noticed, both inside the house and in the street. Inside the house there was an order that came with living together, and a tangle of secrets that prevented this order from being disturbed. These unwritten agreements formed the unnamed pillars of the life you had built with Wang Chenxi. For instance, the pegs placed at the visible point of the line so the towels would not be swept off by the wind were always kept on the shelf under the flowerpots. The bottle opener hung from the magnet on the side of the fridge facing the kitchen counter; the cloth used to wipe the water that collected around the bathroom sink was hung over the shower screen; the dustpan you used when sweeping the floors was leaned not against the wall but against the shoe rack; the water dispenser's hot water button was turned on in the mornings and off in the evenings, just like the bedroom windows were closed and opened with the same rhythm. Socks, underwear, and shorts that you would have stuffed into a single drawer were kept in their own separate drawers and were not permitted to touch one another even when waiting to be washed. A shirt placed in the laundry basket would climb out and throw itself outside, make its way to the balcony, enter the washing machine, and within three days at the most return clean and ironed to its place in the wardrobe. Shopping bags were folded carefully and placed on the lowest shelf of the shoe rack; dry rubbish went into the box in the living room, wet rubbish into the box in the kitchen; if one of you was going to bed early in the evening the other is sufficed with the lamp by the balcony side of the living room; your phone charger stayed permanently plugged in in the bedroom, hers in the living room; in the bathroom pecking order you were given first place in the mornings and last in the evenings; the flat-bottomed spoon used to portion the steamed rice into bowls was always placed upright at the corner of the counter nearest the door; when cooking, large knives were not used unless absolutely necessary; when cutting something on the meat board the knife's tip was kept on the board at all times to minimize noise; garlic was peeled easily after being lightly crushed with the flat side of the knife; the long wire used to unblock the bathroom drain waited on the mirror above the sink; the blue tile-patterned mug you made your morning coffee was washed once a week; the sweaty clothes you took off when you came back from a run were hung on the balcony to air before being put in the machine; and of course the keys were hung on the hook by the entrance the moment you came in the door...

Outside, there was a curious and industrious scientist rediscovering China from scratch as if he has stumbled by chance into an untouched rainforest, dizzy with the variety of animals and plants he was seeing for the first time in his life— his tongue tied, his eyes leaping from their sockets in astonishment, almost like a painter giving each of the fifty shades of red a different fruit name. Your ability to speak Chinese had progressed slightly because you were frequently obliged to talk with Xiao Ma, and the child refused to speak English with you despite all your insistence; emboldened by this, you had become somewhat less reluctant to communicate with people in the street, to make yourself understood, or to listen to their troubles. Besides, since Wang Chenxi had taken responsibility for the housework and it was now if not legally then by custom forbidden for you to chase women, your free time had increased considerably. You had practically blended in with the grandmothers who lined up in front of the grocery shops early in the mornings with wheeled shopping bags to get the freshest vegetables, and with the shirtless, toothless, carefree — but not smokeless — grandfathers who sat under the century-old sandalwood tree playing mahjong. Ordinariness was for the first time not bothering you; on the contrary, being able to melt and disappear into crowds, not being pointed at by anyone, not wasting your life inside a small soap bubble or a narrow echo chamber — all of this made you proud. This new temperament you had forcibly installed in yourself was reinforcing the thought that the choice you had made was the right one, giving you occasion to congratulate yourself. After years of struggle, you had finally arrived in China — because previously there had been a Naci Bey who read Turkish books and wrote Turkish stories at home, who taught the universal language of mathematics at the school where he worked and spent most of his time speaking English with foreign teachers. China had been nothing but the name you gave to the dead streets you had to pass between home and school. But the ease and ordinariness that came with marriage — Well, it's not so bad, is it, after all it's the homeland of your wife and your one and only spy who watches you every second! — had led you to perceive the colors, the sounds, the smells, and with a little more effort even the souls of these streets you passed through. The elderly women who, when walking toward you on the pavement, looked you up and down as though they were about to devour you; the young men who, on seeing your enormous Black Sea nose, murmured something as they passed to make it clear they could speak English; the plump women whose breasts bounced up and down as their scooters passed over patches in the road; the shy young girls who, noticing you walking toward them with quick and determined steps, dropped their gaze and cast the shadow of their lashes under their eyes; the young mothers in the Four Seas park after lunch who, when you suddenly appeared before them, immediately drew their children toward their own bodies and began stroking the heads of their bewildered little ones; the exhausted waiters at the Hong Kong restaurant who got angry but couldn't show their anger when they heard you asking for a picture menu instead of scanning the QR code on the table; the tired but genuine smiles of the cleaning women who had come to Shenzhen to work from small towns in Guangdong province; the construction workers who spread out cardboard in a shady spot after lunch and dozed on it; the men who while using the urinal kept slapping their own bums with their free hand; the kitchen assistants who used alaçinko[1] toilets without any difficulty, even smoking and playing games on their phones; the gossipy women who, sitting with their backs to you at the opposite table, kept tugging at their blouses and skirts with the spinsterish anxiety of wondering whether you were looking at them, whether something had come undone, whether their underwear was showing — yet at the same time never tired of fussing with their hair and faces; the thousands of white-collar workers who left their office buildings in the evenings almost always at the same time, like bees escaping from a hive that had been pumped full of smoke; the middle-aged life gurus who in the name of exercise spent their mornings slapping their calves and bellies; the barber who pressed a VIP card into your hand and promised you ten haircuts for a lump sum — who, after your second haircut, closed his shop and vanished without a trace; the grandmothers who took their grandchildren out to the complex garden for fresh air but, the weather being too hot, found their salvation in sheltering in the supermarket with the air conditioning always running; the elderly uncles who wanted to join the dancing aunties' groups in the parks but, too embarrassed, performed their quiet solo dances in the corners where the light fell least; the bald-headed men who, overcome by the heat, walked with their t-shirts folded up from below to expose their enormous bellies to all and sundry — and many more details you could not see in your previous life when the familiar orientalist arrogance drew curtains before your eyes — all of these you had begun to see, to hear, to smell, and to welcome with pleasure. Around this same time you went to the cheap restaurants where the workers in the area ate lunch and shared a table with them — I wonder if you ever asked yourself who the curious woman quietly spooning a bowl of soup at the opposite table was…— gave small gifts to the school janitors at Chinese New Year simply because it felt good for a moment; took part in a workshop organized to improve the working conditions of delivery couriers and gave a speech as a guest participant. In fact, the Chinese translation of this speech spread rapidly on social media, and just when you were saying "the attention and interest I have been waiting for all these years is apparently going to find me from an unexpected direction", it was deleted from all platforms simultaneously with the press of a single finger, because a few political references in the text had caused discomfort in certain quarters. — even I couldn't prevent this, I'm afraid! —

One of the things that made you happy about not just marriage but marriage to Wang Chenxi specifically was that Wang Chenxi had come under the sacred marital roof with her eight-year-old child. Thanks to Xiao Ma, you felt as though you had started marriage in its tenth year. As though you had thrown your small body into the ocean's calm waters without initially battling the waves! In a marriage whose first ten years had been spent with passion, love, excitement, and wandering, you had at last reached tranquil waters, and you had clung with both hands to the situation you found yourself in, as though the only qualities you had ever sought in a woman were patience, tenderness, and attentiveness. After getting married, Wang Chenxi had found a part-time job and changed schools. This way she could devote more time both to her son and to the home and didn't pressure you to share in the housework. You were only called to duty on occasions when your height and strong wrists were required. So much so that sometimes you couldn't help asking yourself, "Did this woman marry me just to reach the boxes on the high shelves, to have bags she couldn't carry carried, and jars she couldn't open opened?" In more serious moments you would think that the real reason for this marriage was the desire for Xiao Ma to grow up with a father figure around him. His biological father had died in a traffic accident two years after the divorce, and naturally Wang Chenxi did not want her son to feel his father's absence. You yourself, meanwhile, had taken a long time to get used to having a child wandering around the house who got whatever he wanted. Setting aside your half-joking reply to your mother when she asked "When are you going to have a child?" — "There's already a ready-made one, Mum, what do we need another one for!" — you had not the faintest idea how one was supposed to behave around a child in real terms. After all, he was not a sapling that had grown slowly in your own light, your own water, your own soil — he was a fully grown tree that had appeared beside you when you woke from a deep sleep. You could give him lessons, play tennis with him, take him to the cinema or the theatre. But was that what was expected of a father — didn't you need to do more? The soul that had never known a father's true love was unsteady on this question. Eating ice cream together, going for walks in the park, climbing Nanshan together, spending hours in toy shops, reading books to him, playing table tennis inside the house, teaching him chess, dozing off together on the sofa while watching cartoons — and most importantly, feeling pride at his successes and suffering at his failures... Could you do these too?

Xiao Ma was not of exceptional intelligence, but you still struggled for a long time to bring out the great mathematician — Euler? Gauss? Erdös? — hiding inside the child, whose arrival Plato had announced thousands of years ago. Despite all his complaints, protests, and reluctance, you explained lessons to him without pause, prepared tests for him, designed mathematical games suited to his level, and revised topics before his school exams. Many nights you lost sleep asking yourself why this child doesn't understand, what is missing, why is he this slow, what am I doing wrong. During the days, you had long conversations with the other mathematics teachers about different methods of instruction and motivation techniques. It still came to nothing — you couldn't advance a single step! When you finally accepted defeat, both of you were exhausted, retreated to your corners like half-dead boxers, waiting for the referee to suddenly end the match. Fortunately, the first person to accept that this wasn't working, that Xiao Ma could not go anywhere with mathematics or in mathematics, was his mother — and you were relieved of the ambiguous responsibility of having made such a decision without so much as moving a lip. With the acceptance of defeat, Xiao Ma decided to advance in drawing on his iPad — work he had a real feeling for and from which he was producing pieces of extraordinary beauties that even surprised you. It had not been easy for you to accept this, but in the end, when Wang Chenxi said "It's clear that my son's relationship with colors and drawings is quite similar to your relationship with numbers and words. Wouldn't it be better to respect this and leave the child to himself, to support him for the choice he's made?" — you had lowered your sails entirely, suppressed your disappointment with your progressive intellectual identity, and withdrawn your despot mathematician's hands — along with the secret Plato you kept alive inside yourself — from the child's future. Though you struggled at first with this withdrawal, it didn't take long to find your balance, and seizing the opportunity you returned — silently and with slow steps, like a pasha who retreats to the center because he couldn't even take the small roadside fort — to that beloved sublime solitude of yours that you had taken a break from out of respect for the first few years of marriage, returning, in your words, "like a seal crawling forward on its belly." You had managed by hook or by crook to find the defeat you needed, rubbed it on your face and hands like a sacred stone, hung it on a high point on your wall -like a sacred text-, and begun to wait for the sweet fruits this bitter experience would yield. From this point on, it wouldn’t be so difficult for you.

At home you had a room of your own, Xiao Ma had a room of his own. Everything else belonged to your wife. Wang Chenxi entered your room once a week, put the laundry in the wardrobe, and left. Beyond that she touched nothing, didn't tidy your desk, didn't interfere with your computer, didn't close books or notebooks you left open. From the second year of your marriage, you began spending most of your time at home reading books, dozing, endlessly rewatching old episodes of Behzat Ç, Kanıt, or Galip Derviş[2], or writing texts that were coming to resemble short novels rather than stories. Coming home from school you would eat your meal, have a conversation with your wife — you called her lǎopó[3] when the two of you were alone and lǎomā[4] in front of the child, which made even me laugh — about troubles at school or the illnesses of her parents, then go to a nearby park with Xiao Ma to play badminton, come home and shower, help the child a little with his mathematics homework, and then shut yourself in your room until midnight with instructions not to come out. So much so that after a while these prolonged shutting-away sessions began to grate on Wang Chenxi's nerves, to make her restless. As a woman I must confess that I gave Wang Chenxi credit for this, my esteemed Naci Teacher. What woman wants her husband to shut himself in a room for hours and live as though his presence cannot be felt by the other inhabitants of the house, to creep into the bedroom on dancer's feet when sleep comes and slip between the sheets and duvet, and then in the morning to get dressed and go off to work as though he were staying in a hotel? You too had noticed that things couldn't go on like this, that the atmosphere was tense, that Wang Chenxi was breathing through her nose. This tension had even found its way into a story you wrote around that time. The story contained the half-angry, half-hurt words a girlfriend says to a man who is constantly shutting himself in his room to carve decorative objects from gemstones: "Women are like cats, my dear — if they know someone is behind a closed door, they hate that door. The door must be opened; the woman of the house must know what is being done inside; even if she doesn't approve of what's being done, she must be informed; she must make the person inside feel her presence. If you want to live alone, go and find yourself a new flat! If we're going to live together, these doors stay open. Otherwise, we'll meow at the door, we'll scratch it, we'll jump up and pull the handle down, and we won't be still till morning, and we won't let whoever's inside have peace either!" And so, before your wife had even raised the subject, you found an opportunity and produced a solution to the problem that hadn't yet come to the surface. You bought one of the iron bar gates designed to keep pets or babies out of certain rooms of the house and fitted it to your door. This way your connection to the outside world was not completely severed, and yet with the sense of security a closed door provides you could focus on your writing. Your study was now a two-layered enclosure whose boundaries were partly marked with dotted lines. It was a "let neither the skewer burn nor the kebab"[5] solution — which you would later water down with lines borrowed from Tanpınar: "Neither within this house am I / nor altogether outside of it. / In the unbreakable flow of / a whole and solid family."[6] You were hiding it even from yourself perhaps, but the goal you wanted to reach was nothing other than the desire to live in a great cage. Like Kafka's cage that has set out in search of a bird, throughout your writing life you had always been filled with the longing for a cage that would find you and, upon finding you, wrap itself around you. Now this dream had come true in the physical sense — the cage had found you; you had shut yourself behind white bars and made yourself a voluntary prisoner who could not leave his cage until the daily writing quota was filled. When Wang Chenxi or Xiao Ma called out to you, you could respond immediately; as they passed by the door of your room they could see you with a simple glance; from the sounds reaching your ears you could deduce what was being done in the other rooms of the house; when necessary you could quickly step out of your room and fulfill whatever duty was expected of you — place the water bottle on the dispenser, reattach the laundry wire that had come out of its place on the balcony ceiling, fit the oven into the lowest compartment of the kitchen cabinet, lift the sofa so she can sweep under it, hold the other end of the sheet so it can be stretched properly over the bed... — and when the task was done and no one would any longer feel your absence, you returned with heavy steps to your cage; in short, in your words, "like atoms forming covalent bonds, briefly opening a portion of your consciousness to shared use," you continued to live peacefully and fruitfully.

In this period, as a reward for disciplined and stubborn work, you had begun producing more settled, more meaningful, more truly engaged pieces. The naïve exaggerations and the drunkenness of intellect of earlier years had been replaced by an enthusiastic writer whose heart was full of love for people, who had sworn to scrape away at the mold-and-damp-smelling depths of the human soul. No matter how ordinary a person might seem, everyone had a story worth telling, and every story deserved to become a narrative. All it took was a writer skilled enough with words, bold enough to venture into new discoveries with language, and willing to sit down at a desk. By now you had realized that imagination, creativity, and fiction were mere toys for those addicted to popular culture. What truly mattered was learning to see what everyone looked at but failed to notice—and for that, there was no remedy but to fix your gaze on the same point, insistently and tirelessly. Inspiration was for amateurs; what an artist truly needed was not inspiration, but a sense of imbalance and determination. In the long and lonely hours spent in your room, you had come to understand that people could not become artists unless they carried within them piles of dark wheat to be ground in the mill of their minds—stone wheels to crush that wheat, vast mechanisms to turn those wheels, and a powerful river to drive those mechanisms. A person wrote because they carried trouble, anxiety, a form of suffering that could not be captured in a simple composition—and the less they knew the source of that suffering, the better they could write.

For this reason, whether you liked it or not, your stories grew longer, your characters deeper, and the message you wanted to give was wandering along the faint yet curiosity-tickling borders of metaphysics. Although I was never certain of this last part as they usually contained pure truths that a person could not confess even to themselves but there was one thing I was sure of. Unlike before, you were no longer saying "Let me write a story so that all of humanity can see this ancient truth clearly through my story," triggered by some naïve thought. Instead, you placed under a magnifying glass, with all their irrationalities, the reasons why a woman who had suffered violence from her husband for forty years still could not leave him, and with long analyses spanning pages you wound the tangle of will and weakness that is called a human being onto a single reel. Around this same period you wrote, with the same meticulousness, the same sensitivity, and the same slowness: the delivery courier who worked day and night to buy a ring for the girl he loved and had a heart attack while resting on his scooter and died; the obsessive nurse who took revenge on sick children for the scoldings she received from doctors; the beautiful and shy university student who, reading chivalric romances until she herself turned into one, spent the rest of her life on the 17th Century French Literature shelf; the prosecutor who, realizing the member of parliament who had been having her followed step by step was in love with her, made him fall in love with her in disguise. In these same years you also turned your gaze inward and wrote the unusual stories of chronic writers: the self-help guru who threw his own book into open bags on public transport believing this would make him famous in a few years; the wretched novelist who, when the murder novel he had written was imitated by a real killer causing an actual person's death, sued the murderer for plagiarism; the writer who gave his protagonist his own name and published the novel under a pseudonym, then after becoming famous published further novels under his real name and failed... One of the strange — and there is another word you don't like; I'm using it out of spite this time! You are the one who, when I gave you my place in the supermarket queue, thanked me without looking at my face but by staring into empty space just because your wife was beside you! — aspects of all this was that you were now satisfied with what you wrote. You were no longer saying, as before, this part is lacking, that has a gap, it would have been better written this way. You had begun to genuinely like what you wrote. Sometimes this state of affairs worried and unnerved you — but even this justified anxiety could not disturb the turquoise Mediterranean waters of the happiness inside you. You worked furiously, produced enormously, examined everything minutely. On top of all this, in the most exceptional, most exalted, most untouchable corner of your heart, you carried a seed of hope that what you were producing would be received with interest and respect somewhere else in the world. One day this seed would germinate and grow, clinging with its thin tendrils to every corner it found like a vine, and in time it would flood you inside and out with poison. You were not yet aware of this, but I — I who read every sentence you wrote at least three times, I who watched you with curious eyes from behind sheer curtains like a prospective bride had felt with maternal instinct — motherhood itself was never granted to me, but the instinct never left me — that you had reached the end of the uphill climb and that the descent was about to begin.

Well then, for whom are you writing, my dear teacher Naci? You write, you sketch, when the occasion calls for it you flare up and rage, when the occasion calls for it you soften into a representative of compassion, you pass judgment, you dispense wisdom — but doesn't one say to a man Quo Vadis, doesn't one ask a man, in the phrase you love so much, Fe eyne tezhebun?[7] Never mind understanding your trouble and your worry — but who is your interlocutor, at least tell your wretched follower who is about to burst with curiosity. The minority belonging to the elite group that lives in Türkiye and seeks the finest in literature — why would they read literary texts set in China, full of Chinese characters and place names that are hard to remember? Didn't Türkiye and the Turks have enough troubles of their own without troubling their heads over the problems of people living thousands of kilometers away? As for the Turks living in China — they had no ambition to read literary works in the first place. Most had come here to earn money; their connection to books was limited to acquiring information or studying; these straightforward people whose inner and outer voices were the same — why would they read your densely descriptive and internally conflicted works that you present with a claim to universality? One single option remained. That was to have your work translated into Chinese and ensure it was read in China. Unfortunately, your attempts in this direction had also come to nothing. A translator named Li Wei, a Tanpınar expert whom you had with great difficulty persuaded, had translated two of your stories from Turkish into Chinese with a quality surpassing even the finest — one of these had been published and you had received positive feedback from readers — but afterward, perhaps because he thought this work was not sustainable, he had begun not responding to your translation proposals, using the busyness of the games company where he worked as an excuse. And so, the way forward for this dream too had been blocked after a few promising steps. In the moments when you hit the depths of despair you felt like a Ferrari driver stuck behind coal trucks. In the other moments when you believed in the sublimity of art, its immortality, and the meaning it added to human dignity, you criticized yourself for that thought and were ashamed of yourself. When the time came, your writing would be read, focus on your writing, concentrate on producing original and beautiful work, keep away from the noise of the political agenda and the crocodile tears of journalists. As long as you don't compromise on quality, as long as you never stray from the path you know to be right and true. This is what you wrote in the notes in your journal. Whether you were waiting like the Man Waiting for the Rain to Stop or like Cinderella, you yourself didn't know. Fortunately, on one of those spring days when you had hit the bottom of your pessimism — the beautiful weather ruined you too, Naci Bey![8] — seated alone with your dear little wife, you had decided to spend the entire summer holiday in Türkiye. The holiday you had postponed for the previous two summers for various reasons would finally take place. It would be a new experience for you, a "different" one for her. After more than ten years in China, for the first time you would go back to your homeland not alone but with the wife you had brought from China and the stepson who resembled you in no way whatsoever. Could there be a greater excitement, a more frightening mystery, a more stressful adventure than this for a novice at life like you — one who had always swum in safe waters and never once in his life let himself go against the current?

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Next Chapter: Yer Üstünden Notlar: Beyond Exile (6)

[1] Alaçinko — A term coined by Naci to refer to squat toilets in China, in contrast to Alaturka toilets—the colloquial Turkish name for squat toilets in Türkiye. The key difference is that some of the Chinese squat toilets have the hole positioned near the door side.

[2] Behzat Ç, Kanıt, Galip Derviş — popular Turkish crime and drama television series; Naci watches them to maintain his connection to Turkish culture while living abroad.

[3] Lǎopó — informal, affectionate Chinese term for wife, used between couples in private.

[4] Lǎomā — informal Chinese term meaning "old mum," used here as a playful nickname for Wang Chenxi in front of the child.

[5] A Turkish idiom meaning “everybody wins and no one gets harmed”

[6] Ahmet Hamdi Tanpınar (1901–1962) — one of the most celebrated Turkish poets and novelists. Tanpınar is a recurring reference point for Naci throughout the novel.

[7] Quo Vadis — Latin for "Where are you going?", according to the apocryphal Acts of Peter, the apostle Peter, fleeing persecution in Rome, sees a vision of Jesus walking toward the city. Peter asks, "Domine, quo vadis?" ("Lord, where are you going?"). Fe eyne tezhebun — Arabic, from the Quran (81:26), meaning "So where are you going?" The narrator pairs these two phrases — one from Western classical tradition, one from Islamic scripture — as a nod to Naci's literary and cultural range.

 [8] Writer makes a reference to Orhan Veli Kanık’s poem “This beautiful weather ruined me.”