Bu Blogda Ara

12 Eylül 2026

The Last Day of Tokjai (6)


                          Chapter 6: Betrayal 

All buckets in the world are my enemies. Their diameter, depth, hardness, color — none of it really matters. If it's a bucket, it's my enemy; if it's not a bucket, I have to think about it. Not only buckets — I don't like basins either. Especially if two buckets and a basin are placed side by side — I go crazy. I gnaw them until I tear those two buckets into pieces, until that basin is full of holes. When Tossapol senses that Mother and Father are paying me too much attention, he gets jealous — but to hide his jealousy, he says, "And now you're spoiling the animal you traded for two basins and a bucket." That's what he says, but he doesn't know — it's not two basins and a bucket; it's two buckets and a basin. From where I sit now, I hear Tossapol murmuring. He whistles sometimes. The boy is in a good mood — who knows what dreams he's having, what girl's magical warmth is on his mind, what uncharted seas, what undiscovered cities. But he doesn't know — what the buckets he's filling with freshly-cut grass remind me of. He doesn't know that even the sickening smell of that plastic is enough to make the neurons in my brain hop and jump. Ahh, humans, ahh! How forgetful, how insensitive, how absent-minded you are. You spend your lives taking notes all over the place, so you won't forget, but you overlook that having a peaceful life in this world is only possible through forgetting. We dogs, on the other hand, never forget — and because we can't forget, we are always full of sorrow, always sinking into the past at inappropriate times, acting melancholic whenever we have the solitude that we yearn for. If Tossapol didn't come to visit us for three years, I would still catch his scent as he passes the nook of the market at the village entrance. I'd catch it, and my stomach would churn with joy. I'd pace the garden, waiting for the moment he'd come through the gate, my tail pointing to the sky. Not only scents — sounds and touches are unforgettable too. From the tone of a human's voice, I can tell if they're happy, sad, angry, or excited. From the touch of their fingers on my head and between my eyes, from the way their palms rub the back of my neck and my back, from how close they bring their face to mine, from the light touch of their nose to mine — I can infer how their day went, whether they made a profit or they lost money on that day, whether they had serious trouble with friends or family. Not only that — I adjust my behavior accordingly, showing the necessary attention to the needy person standing before me, especially to the ones who try extremely hard to hide their hunger for affection.

"Tokjai, are you sleeping again? You just woke up, you lazybones! Look, we're working, and you just lie around all day."

I bark once, but that's it — I'm not going to start a fight. Just so he knows I'm not sleeping. When I have an unfinished topic on my mind, I can't move on to others. With the impatience of eyes waiting for the bob at the end of a swinging pendulum to swing back, I wait for the moment to return to that unfinished topic. So, any conversation — from anyone — that interrupts my thoughts is just chatter, blather. I may be wrong — even selfish and arrogant. Spoiled as I was, maybe I'm bored with subjects other than myself. Since I can't change after this age, complaining is pointless. Life is what it is — you have to gloss over it. And it is short too; it ends before you truly understand and appreciate its true charm. Let it end — I lived happily; I'm dying happily. Let those who live and die unhappy think about the rest. I'm ahead of everyone right now. If life — the world we walk on, the universe in which we experience our existence — has any meaning, it is to have sustainable happiness and make others happy. I think I have done both fully. I have no other worries, no regrets.

I hear Tossapol's footsteps. Since he's wearing sandals slightly too small for his feet, he walks scuffing the soles. Now he has that bucket in his hand. When my eyes were good, they wouldn't dare put that bucket in the open. They knew I'd get angry, knock it over, vomit on it, or pee on it. Now that my eyes don't see, they don't pay much attention to things that annoy me. And that's one of the signs of old age: not being cared about, not being anyone's concern, being kept on a shelf and only asked for your opinion out of politeness. Those who feared your reaction when you were young inwardly rejoice at your passivity when you're old. Yet no one can deny that you were right in your reaction. They are guilty, after all — their necks bent in shame before their only dog, whom they traded for two buckets and a basin.

I was about three and a half then. I had a large body, a loud voice, strong legs, and an insatiable appetite. I could run from one end of the garden to the other in seven seconds, jump the wall without stopping, and throw myself outside in two leaps. Everyone in the village knew me. Every morning I left the house with Mother. Mother rode her green Kawasaki motorcycle — back then, they hadn't put the third wheel on — and I ran behind. The villagers who saw me smiled and cheered, "Run, Tokjai, run… Come on, you're almost passing the bike!" And I'd see myself as a marathon athlete, running to the end of the road with my tongue out and tail up. Mother and I would go to school together. She'd go into class and teach the letters of the Thai alphabet; I'd either doze in the back of the room or play in the schoolyard with the children and occasionally with the stray dogs. Life was good for me. I had breakfast at home and knew I'd have dinner at home too, so I was relaxed about food. That didn't stop me from eating the biscuits and snacks the children dropped or freely gave me, of course. I am a dog — even if I'm not very hungry, if another dog or human eyes my food, I can't stand it; I raise a ruckus. A few incidents like that happened, and in the end, things got unpleasant.

Once, for instance, a child dropped his biscuit — so he said. In my opinion, he threw it in front of me so I could eat. So, I reached for it and took it. What else was I to do? Say, "No thanks, I'm full"? Then the child started hitting me for taking the biscuit — with a freshly snapped tree branch, not once, not twice… I didn't make a sound at first, but the child wouldn't stop. I turned and barked at him. I growled like a rabid dog, drooling, showing my teeth. Not just him — all the children playing in the yard were scared. They went and complained to the principal. After that day, Mother didn't want to take me along, but I kept going. I wasn't the guilty one — why was I being punished?

Another day, a commotion broke out in the classroom. While I was sleeping soundly, some students, taking advantage of the teacher's absence, started playing with my ears and nose. Am I a toy? Once — I'd call it a joke. Twice — a prank. But what's the point of repeating an act that disturbs someone's peace and annoys them? Who benefits? When they wouldn't stop, I started barking. And I mean barking — it had pushed me to my limit. The classroom rattled; windows and doors shook. If my voice had been any louder, people would have thought it was thunder, and the clouds would have poured rain. My eyes red with anger, my ears pricked and alert! The children scattered like chickens to the corners of the room. I was furious. I wasn't attacking anyone, but it was only a matter of time. One more step and I'd bite a random leg. Then Mother came, calmed me down, grabbed my head, and took me outside. Then she went back into the classroom and shut the door in my face.

After this incident, the downhill path to my planned end became clear. I was bored sitting in the garden all day, and Mother wasn't pleased with me coming to school and disturbing people. Failing to find a middle ground — they tried putting me in a cage once, but I barked nonstop for twenty hours and let no one sleep — Mother and Father decided to send me away. They would get rid of me without telling Tossapol. But they don't know that the biggest obstacle to getting rid of something we want to send away is the fear of being alone, left behind, forgotten — a fear we can't express, that we hide even from ourselves, that we get angry about if others mention it. Still, my folks got it in their heads — they're going to send me away. But how? When? And most importantly, where? They've made the decision, but they don't have the courage to act. So, they keep putting it off. They're hesitating! If an opportunity arises, maybe they'll do it; otherwise, they'll postpone it forever. Next week, the beginning of next month, in the middle of Songkran, after the schools close… They're both afraid of Tossapol's reaction and of not being able to get used to my absence. At the same time, they're worried that the disturbance I've caused isn't over and will happen again. But that's life — it confronts you with your fears at the most unexpected moments, takes its revenge, turns your weaknesses into your greatest enemies, and forces your powerful body to its knees. That's how it was with me — at a time I least expected, in a way I least expected…

It all happened one afternoon when even time had melted from the heat and fell asleep in a quiet corner. A truck pulled up in front of our house — slowly, slyly, with the timidity of a squirrel afraid of its own shadow. I was dozing on the damp ground under the newly finished concrete rooms. I half-opened my eyes, looking around without lifting my head, with a demeanor that fooled even myself. Mother was talking to a man at the garden gate. In the back of the truck were colorful basins, clotheslines, plastic stools, ladles, and buckets. At first, I didn't understand what was happening. "Mother must be replacing the basin she does laundry in," I thought. Because the one at home had torn — it leaked water when filled with clothes.

But things didn't unfold as I expected. Mother opened the garden gate. There was no iron gate in those days — just a primitive wooden door separating the garden from the street. The man came inside. In his hand, a long stick with a tightly woven net of white strings at the end — a thing I'd never seen before. How was I to know his intention was to catch me? On the contrary, since Mother had let him in, he must be a good man, I thought. Though when I got a little closer, I sensed the evil in his heart — but it was too late. I saw the cigarette in his mouth when we locked eyes. His face was wrinkled like clothes that hadn't been ironed in decades, his forehead and neck sunburned, his hands and arms covered in cuts and scrapes… He looked less like a merchant selling plastic household goods and more like a criminal who, in the blink of an eye, snatches children who've strayed from their parents' sight and sells them to the organ mafia. I sensed it, but it was too late. When he saw me, he smiled faintly. His chin moved left and right as if trying to dislodge a piece of meat stuck between his teeth. Then the stick in his hand rose into the air, stood there perpendicular for a moment. He waited, and I stared dumbly at the stick. The sun was in my eyes, so I couldn't see the net at the end. There was a cloud at the end of the stick — a small white cloud left over from the morning's downpour. The rest was blue. To avoid being dazzled, I turned my head slightly downward, but it didn't help much. I could only see the man, his raised hand, and his leering, pockmarked face. I also remember Mother trying to pick out basins from the truck behind him. Then the man's hand came down, and the net on the end of the stick enveloped first my head, then my entire body. I remember being very itchy at that moment — an intense itching covering my whole body from tail to nose. The net touched me everywhere, and at every point, sparks seemed to fly. Whether I thought, at that moment, that the days ahead would not be bright, that I wouldn't see the blue sky when I turned my head, that I wouldn't feel the damp grass when I moved my feet — I don't recall. I know I struggled; I growled and barked. And I remember the man approaching me with a syringe in his hand. He had caught me fast, and now he would inject me and put me to sleep. Having experienced the vet's anesthesia, I knew about needles. A thin pain starts, then disappears, replaced by a spreading ache. Then the injection site numbs, and the numbness spreads to my legs, my neck, and my head. As my ability to control my body diminishes, I feel like a guest in someone else's body — a visitor saying goodbye to the host at the door. I'm about to leave; the door will close behind me, and I'll be free. But what freedom, what kind of freedom… Finally, my eyes grow heavy; the world becomes a tattered picture seen from under a descending curtain. After a while, the connection breaks completely. I wait for hours in pitch darkness. I don't remember that darkness because my consciousness isn't open. All I have upon waking is the shock and questions that take hours to answer. Where am I? Why am I here? Who are these people? Why have they laid me on this table? Why can't I walk?

That day, it was exactly the same. I remember seeing Mother just before I closed my eyes. She had two buckets and a basin in her hand. The ugly-faced man who had dragged my body, now no better than a sack of rice, said something to Mother, and Mother, not wanting to leave his greeting unanswered, had put her things down. Then I felt the truck's engine start. I couldn't hear it, but my body — however weakly — perceived the vibrations. Finally, even that vibration stopped. I felt a lightness, a coolness as if I'd begun to fly. And then darkness fell completely over me — not just visual darkness, but one that would blind the other four senses as well. When I opened my eyes, I was crammed into a dirty, narrow cage among dozens of dogs. The space was so tight that my feet touched the head of a dog in another cage. There were cages below, above, beside us, and all were filled with dogs of all sizes. In some cages, two or three dogs were piled on top of each other. Surrounded on all six sides by dogs, we were moving in the back of a truck. It didn't take me long to understand that.


29 Ağustos 2026

The Last Day of Tokjai (5)

 

                          Chapter 5 -  Love of Coffee

 No lie — of all the villages, I love this village the most; of all the houses, this house the most; of all the people, Mother the most. She also seems to be the most upset that I will die soon. Since she doesn't feel the need to hide her sadness like the others — that is, she can show her feelings openly — I never doubt Mother's sincerity. Whatever is inside is reflected outside in Mother's world. Tossapol is a chatterbox — talks a lot, does little. Because he talks so much, some of what he says become meaningless. He lives in a language where empty words and sentences reign, expecting those around him to admire this language and applaud him. He makes noise, makes his presence felt, shows he's afraid of being forgotten. Father is the opposite. He works hard, gets things done, but speaks little while doing so. He doesn't walk around saying, "I did this, I did that." He's quiet; he lives his joys and sorrows inside. He doesn't let a drop spill out. He is responsible for my being fed, but I have a suspicion that the daily task of putting food in my bowl three times a day is driven by a feeling of loneliness that, despite the crowd around him, never fades from his heart. Otherwise, how else to explain the precision with which this old man, who otherwise pays little attention to me, prepares my food with the meticulous care of a responsible soldier? Not only when he's home — in my wild younger days, I'd sometimes spend the night in other people's gardens. Sometimes I wouldn't come home for days. Even then, Father would somehow find me and bring my food. He was afraid I'd starve and get sick from hunger.

Mother is the middle path — like a sparkling clean mirror. When you look into her, you see the reflection you left in her, without any breakage or blur. You feel that she will unhesitatingly give back to you the small share you contributed and the huge palace she built using that small share. When it comes to growing and sharing love, Mother lives ahead of life; she grows it in her chest, develops it, and doesn't reduce her care until it flies away. Neither Tossapol nor Father can come close to Mother in this regard. That's why Mother is the pioneer of the house, the true leader. Neighbors who come to borrow money talk to her; the relative cheated by her husband, the childhood friend who hasn't won a single lottery prize in months — they all sit before Mother. She is such a pioneer that when the weather starts to cool slightly, when the evening cool begins to bother people even a little, Mother is the first to wear a cardigan. After she wears it, the villagers know it's cardigan time. Because the Isan villagers don't want to believe — even in the evening — that the weather can get cold, and they won't be convinced until they see someone else believing it.

I pass by the tables; Mother's voice grows fainter. Having given up on Tossapol, she's gone to water the tomatoes and chilies she planted behind the barn. There were also cucumbers, but I heard the neighbor's chickens pecked away at them while they were still just flowers. The Tokjai of old isn't here to chase them and scare the living daylights out of the chickens. I used to make even the crippled chickens fly. They say where there's no cat, mice will play — well, where there's no dog, chickens leave no vegetables behind. As soon as the tomatoes redden, the chickens pounce. They know good taste. What can I do? When chickens come into the garden — if I catch their scent — I just bark from where I am. They know I'm harmless, that I can't do anything to them. And that's the worst part. If being weak punches my dog pride, the fact that other animals have noticed this situation knocks me out. If I can't strike fear into their hearts, it means I've suffered my greatest loss. Can life be darker or more hopeless than that?

Anyway, enough of these gloomy thoughts — what do I need them for? Pessimism benefits neither me nor the household. From the front of the house comes the sound of a motor. I pass between two pickup trucks parked side by side and go to the front. The motor stutters sometimes, stops, then starts again. Like the sobs of a baby crying and coughing between breaths. In my youth, I loved watching the grass being cut. When the metal blade on the long stick started spinning, I'd be a little scared at first, bark once or twice, and squeeze in by the flowerpots near the front door. The sizzle as the blade touched the grass, the golden grass spraying into the air, shrouding the garden in haze until it fell, the neighbor dogs — Coffee and Lucky — starting to bark at the noise, Coffee jumping over our wall from the empty lot with the pink house in the middle and looking at me for a long time, wagging her tail…

How quickly that came to mind! When was the last time I remembered Coffee? When had I last thought of that tragic partnership? To feel the pride of being able to forget, you need to remember. What a contradiction, what an injustice! Everything about memories contains injustice! Isn't even thinking about them the same as objecting to them becoming memories? "Memories are like wine," Father would say when a little tipsy, "the older they get, the better they taste." That's how they are — what can you do? As if they exist to sadden you, to drive you mad. They come at you at the most inopportune times to take revenge for the mourning you failed to do properly in the past. The worst part is that while they occupy your mind with the crumbs of sad events, they also infuse a little pleasure. Thus, you cover the sadness of dwelling on memories with the pleasure you derive from them. Pleasure and pain, like oil and water that seem to mix but then separate, first mix, then slowly separate. They are like a drug injected into a vein. First you relax, you feel happy, you take childish pleasure in digging up old ground. Then what you've gathered grows heavy and settles on you. So much so that after a while you can't breathe. But as an adult dog who has overcome youthful delusions, I don't lose myself as easily in the swampy, deceptive softness of worn-out loves. I leave it at a taste. If I see sadness turning into a flood that will sweep me away, I jump into another memory. That's how I escape, without the slightest scratch from the venomous arrows of bitter memories.

Where was I? Coffee. Ahh, Coffee, ahh my Coffee, ahh my love that I found late and lost early, ahh my light of nights, coolness of days, ahh the sharp sword that cut my life in two… How your eyes glittered in the dark of night, how you would come and sleep on the thick cushions placed between the one-ton water tanks, how we would sneak into the neighbors' cornfields together. Didn't we often get lost among the sugarcane stalks as tall as two men, didn't we make the village's chronic dogs a little jealous. "Tokjai and Coffee, the king and queen of the village" — we were even famous for a while. Those who saw me sensed you were near, and those who saw you knew I couldn't be far. You were the only dog I shared my food with; my cushion, the shabby bed made from old clothes by the shoe rack, the wooden stool under the television mounted on the kitchen wall, the duck-shaped water pots to the right of the garden gate, the large metal cage under the two rooms added to the house — I shared everything, I wanted you to have whatever was given to me, I didn't want you to feel alone and abandoned in this garden. I wanted us to live together in this garden and die together. But life had other plans for you, and it executed them one by one, slyly.

After giving birth, you never stood up again. I so wished for you to return to your old self, to take care of our newborn babies, to drink milk and give your cubs more milk — but it didn't happen. Mother and Father tried hard too. The vet gave medicine to heal the inflammation, gave you shots so you could stand. None of it worked. You slept for days, and in the few times you opened your eyes, you remembered neither me nor your babies. The emptiness in your gaze was like the windows of an abandoned house — inside, broken furniture, moldy book bindings, dirty, dusty kitchen utensils. Yes, a family had once lived there, even enjoyed happiness to the fullest there. Then a wind had blown, carrying it all away. Now only traces remained — hazy leftovers linking past experiences to pain and suffering, and observers sighing at those remaining signs. When I couldn't see the slightest glimmer in your eyes, I knew it was a bad sign. But what could I do? A week later, you closed your eyes never to open them again. Look, now even Tokjai's eyes — the eyes of the one who never left your side — have gone blind. My eyes may not see, but the eyes of my heart still value no one but you. Do you know that? If I told you I secretly take pleasure in this loss just to feel closer to you, would you believe me?

 

Some people's eyes won't open in the morning until they've had a sip of coffee; after the first sip, they begin to perceive the world. That's what you were to me, Coffee. After I met you, I understood the world, life, the meaning of being a dog so much better. My horizons expanded, Coffee — so much that I began to see the life before I met you as the wasteful, useless days of a poor dog chasing empty tasks. There were two Tokjais: before Coffee and after Coffee. And the Tokjai who existed after Coffee was brand new — restless inside, clear-minded, open-hearted, always conscious. This power of love has always amazed me. After falling in love, you forget how you made yourself happy before, how you spent your days, what occupied your nights. Love doesn't erase the unhappiness lived before it, but the happiness — it makes it invisible, looks down on loveless lives with a selfish possessiveness. So much so that life before love seems weak and insignificant, like a candle placed next to a lamp, no one caring whether it's lit or not. That was Coffee — she came into my life like a sunken ship suddenly surfacing, burned me, changed me, transformed me, and then quietly disappeared into the same pitch-black water that had brought her to me. She gave me four babies; after giving birth, she never stood up again. She breathed her last on the mat where she gave birth to her puppies. She neither saw her puppies walk nor heard their first yelps. After she died, the puppies were given away to neighbors, and neighbors' neighbors. The love of Tokjai and Coffee spread across the earth to sprout in other lands.

"Ooo, Tokjai, is that you? You heard the motor and couldn't resist, right?"

"No, son, it's not the motor — he probably needs to pee. He's been sleeping since lunch. Open the garden gate so he can go out. He likes to go by the neighbor's wall."

"You're really something, Tokjai. The garden is surrounded by walls. You've been going out for years to pee on the neighbor's wall."

I hear the rumble of the heavy garden gate's steel wheels sliding on the metal track. In the old days — when I was young and strong — I didn't bother with the gate. I'd jump over the wall, then down. All in two leaps — hop, hop, and I'm out. Mother even had an iron fence built on top of the walls, but it didn't stop me. I'd still find my way, discover the spots where the fence had bent from rain and wind, and somehow release myself into the freedom of the street. Now, they slide the iron gate open because even the threshold might be an obstacle for me. There's also a hinged gate at the beginning of the wall that swings open, but they think I won't manage the threshold or will trip and fall. Oh, those days — from Tokjai, whom not even walls could stop, to Tokjai, for whom a threshold seems like a hill. Though in the evenings they do open this hinged gate, and if I really feel like it, I go out, bark a couple of times, and come back. I check what the neighbor dogs are up to. I sniff around; I fill my being with the smell of flowers, insects, and dust coming from afar. There aren't many cars on the village road in the evening, and I've learned to stay to the side — as long as even my tail touches the bushes, I'm safe.

"Father, does that black-and-white cat belong to the neighbor or is it a stray? He was around here last time I came too."

"He belongs to the neighbor, but not the ones next door — the motorcycle repair shop on the other side of the sugarcane field. They have four cats and two dogs."

I draw the cat's scent into me. A discharge, like hard nails rubbed on dry wood, comes to the tips of my paws. An icy waterfall runs through me. It's a natural reaction from my weak heart. No matter how hard I try to establish friendly relations with cats, my body gives its natural response, straining me to the end. Luckily, I'm not a spineless robot as some people think. I know very well whom to ally with, whom to show compassion to, and whom not to tolerate. If it's the cat I think it is, I used to know its grandfather. He was a nice cat; we didn't startle each other when we met in the village. As you know, we dogs traditionally don't like cats — we find them rude, ungrateful, and snobbish. There are many cats in our village, but they're not often seen during the day. So, people think we dogs have chased them all off. They come out at night to hunt — they sometimes enter our garden. I don't make a sound. Why would I? After all, they don't steal my food. I don't chase them for drinking two drops of water from my bowl. Water is abundant in this house. Besides, they catch the mice stationed around the barn and chase the geckos that have grown large enough to harm the household. By the principle "the enemy of my enemy is my friend," I get along well with cats — or rather, I ignore them. They don't abuse my goodwill either. When they're in the garden, they disturb neither me nor the household. They come quietly, do their business, and leave. I don't know where they go in the dark, or what dark passages they slip their heads into when they need to sleep. Honestly, I don't care much. Also, I find it funny how they stare at anything that moves and then chase after it, regardless of what it is. They can't resist moving objects — they attack immediately, as if their cat identity would be damaged if they didn't chase. I'm describing such cats, but don't think I'm looking down on cats. Maybe in this garden, yes, I need to show I'm the boss. Outside the garden, we are equals. And now I'm outside the garden. I smell my own scent on the bushes where I always pee. Hmm, the neighbor's dog has peed here too. That's a bad sign, but there's nothing I can do. If he were nearby, I'd tell him not to. Who knows where he is? He's only five — in the prime of his youth. He has enough energy to run from one end of the village to the other, enough appetite to wolf down three bowls of food in one sitting, enough affection to wag his tail from side to side like a car's windshield wiper when he senses his owner is near.

 

"Tokjai, hurry up and pee so I can close the gate. Look, it's late afternoon — cars are passing on the road."

"Tos, you tell your mother — I'm going as far as your uncle's house. I'll pick up something for dinner too. And I'll get some food for Tokjai — some protein, so he heals quickly."

"Okay, Father, I'll tell her. Don't be late. Come on, Tokjai, get inside."

"Leave him, son — nothing will happen. He doesn't go on the road like he used to — he's scared. He knows where to stop."

Yes, I'm scared. Like everyone else, I don't want to die. But at the same time, the thought that life might continue like this — as torture — for a very long time disturbs my mind. Not wanting to die is one thing; not objecting to death when it stands before me is another, right? My state is like that of a criminal who, tired of running, surrenders to the police who've been chasing him for a long time. I haven't lost my will to live, but if death comes and says, "Come on, Tokjai, you've lived enough. It's time to put out this fire. Come, let me take you to nibbana," I'd surrender my soul without much resistance, without huffing and puffing, without setting the world ablaze. I'm not tired of living — I'm tired of not being able to live. Even Father has understood: "He knows where to stop," he says of me. My place now is at the edges; the middle of the road and the squares are not for me. How suitable to a dog's identity is the life of a dog who can't run, can't walk properly, can't see his surroundings, can't make new puppies, whose smell repels anyone from coming near him, whose wounds breed maggots, who walks around in a cloud of flies? I can't even break bones with my mouth like I used to. Inner surface of my mouth hurts; before I can break a tiny chicken bone, I have to turn my jaw thirty times, bend and twist my mouth thirty times. So, I'm glad Father is going to get food from the place near Uncle's house. Boiled rice mixed with broth is my most preferred meal these last few months. Sometimes they also put fatty bits stripped from meat into my bowl — I can get those down without too much difficulty. Though I don't have much of an appetite anyway!

"Come on, Tokjai, don't make me regret opening the gate."

I bark. Not at Tossapol, but at the road passing through the middle of the village — the road I can no longer walk down, the road where children will still ride their bicycles to school after I'm dead. Tossapol is a little startled but doesn't say anything. Maybe he's laughing at my high-pitched voice from weakness, my limping body, my face unchanged for so many years, the greenish discharge hardening from my blind eyes… I bark because I'm sad, I bark because I can't put that insolent dog in his place, I bark because my voice is the last thing I can give to this world. When my voice goes off, I too will go. Will any void be felt — in the minds of villagers raising glasses of beer against the darkness in the far corners of the village, eating spicy snacks? And what about the teachers at the school at the mouth of the village road — will they remember my name after I'm dead? "There was a Tokjai who came to school every day, who sat in the back of the classroom, listened to the lesson, and went home with the other children in the evening" — will they say that when they enter the garden and don't see me there? Will they talk about the legend of Tokjai among themselves?

"I'm closing the gate, Tokjai. Come inside. I'll fill a bucket with the grass I cut and burn it in the back of the garden."

I stopped barking. There's a relief inside me I can't explain. I guess barking did me good. I walk slowly toward the gate. Meanwhile, I hear the sound of the closing gate sliding on the metal track. I stop, motionless and breathless. I wait a while. Did Tossapol just say "bucket"? Yes, he said bucket. Once more, I bark long and loud — I even howl like a wolf, lifting my head to the sky. Bucket, yes. Damn it. I bump into the trash can placed by the magnolia tree because I'm not paying attention. I turn slightly to the right. How did I get here? Yes, he said bucket! Under my feet, dry soil, stones large and small; this tree on my left that I smell must be the magnolia. The swing should be here — the one Tossapol likes to sit on before his morning coffee. I lie down under it gently, careful not to hurt my wounds.

---

Next Chapter: Yer Üstünden Notlar: The Last Day of Tokjai (6)

06 Ağustos 2026

THE MAN WHO WAITED FOR THE RAIN TO STOP

 



He was either a truly outstanding fool, or far too optimistic for his age—though he could never quite admit that to himself. Even if we were to claim that the two are one and the same, no significant objection would arise from the majority of people. Trusting in good weather is like trusting every handsome man who crosses your path. Women know this best. Especially in a city like Ç, where the sun shows its face only in exchange for a bribe, anyone would be taken aback by such recklessness.

He was foolish, optimistic, got along with everyone and everything; he had no enemies, but he also had no friends. Above all, he was young, callow, inexperienced. If he hadn't been, why would he have dashed out into the street the moment the sun so much as winked at him? Didn't he know that black clouds were lining up at the city's gate? He knew, but did he simply not care? Perhaps it was the days of being cooped up at home, head buried in books, that had stretched the spring inside him to its breaking point. After all, the more you compress a spring, the higher it leaps—and always at the most unexpected moment, hurting the most indifferent souls.

He had brought neither an umbrella to shield his head nor a raincoat to keep his body warm and dry. A thin, sea-blue shirt, unpressed trousers—both wrinkled. The ease of being a student flowed from every pore. No matter how indifferent he seemed, everyone in this city would help a student in trouble. Maybe hoping they'd be repaid someday, maybe falling victim to a momentary thoughtlessness.

Once he had thrown himself out onto the streets, the parks, the crowded pavements, there was no going back to the dark solitude he'd left behind. At least until evening, he wanted to breathe in the cheerful air he could never quite bring into his home. He had flowed through the streets like oil—talked to strangers, tossed coins to beggars, patted children on the head, flashed smiles at girls his age that promised nothing, and spent the evening with a heartache born of losing the sun's trace on his skin. He had wandered far from home, to the other side of the city, but that was no problem—there were buses until late at night, after all. As the day was turning to dusk, he stepped into a shop to buy some water—and there he ran into a distant relative he had met years ago at a family gathering (a funeral, he thought, though he wasn't sure!) and never seen since. If not for that chance meeting, he would have gone home that evening just like any other, slipped under his thin quilt, and fallen asleep reading a book.

They first spoke of relatives who had died years ago—this man had married the stepdaughter of his mother's uncle. He was older, so the young man called him "uncle." Pressed with warm water, he took it reluctantly. As his fingertips softened in the warmth of the glass, he wondered whether this reluctant acceptance meant he would stay long. When he could have just said, "No, thank you. I really have to go now"... The steam of the water brushed his nose, and he silently cursed himself—his greatest hatred was reserved for the hesitations that endlessly dragged him into dead ends. He should act naturally, yes! He shouldn't overthink things; he should ignore the details that no one else even noticed. Peace lay in neglect—he knew that, but he couldn't put this sharp principle into practice.

They sat across from each other on the stools by the shop's front window and began to talk like two close friends. First, they discussed the weather—how in cities other than Ç, the sun was brighter, the rain more measured, the wind more satisfying, the sky bluer. Everyone knew this, and no one would claim otherwise. The young man called the sullen face of Ç's sky "the city's hazy blue." He had grown used to the pale colors he saw every day, so he rarely thought of the brighter, cleaner, wilder blues said to exist in other lands.

To anyone who came to Ç later, it wasn't a city to live in—just a place to wander for half a day and leave behind. After all, he had come here for university, from a southern city where sea, sand, and sun were never absent for 365 days of the year. "Missing things is good," he had said when he first arrived in Ç. "If I stay away, I'll appreciate it more." Yet by the time he realized that what he truly missed was not the sunny city he had left behind, but the version of himself who had been happy living under that bright dome, it was already too late. Missing someone is really missing yourself. When a person longs for a beloved, aren't they really longing not for the beloved's presence, but for the moment of happiness and satisfaction they felt beside them? He had called this the most selfish side of longing—the most wretched and truest face we refuse to acknowledge.

After listing all the negative aspects of the city they lived in—the usual complaints everyone knew—the conversation turned to his mother and father, who had died seven years ago. Then he had to listen to the uncle's grievances about his children's school situation. The older daughter was in her final year but still couldn't quite grasp that she needed to prepare for exams. The younger son saw his sister wasting time on the internet, in front of the TV, on the phone—so of course he wouldn't study; he had started wasting his time just like her. The mother was uneducated anyway—she figured the girl would finish high school, then they'd find a suitable candidate and marry her off within a few years. The house needed grandchildren; the rest was detail.

The conversation stretched on and on. At one point they counted the university graduates in the family. Dozens of relatives whose names he'd never even heard emerged, scattered across the country. His father's uncle's grandchildren were studying in A, and his mother's other uncle's grandchild was in the capital, P, this year. He was hungry too, but he couldn't bring himself to say so—whether out of shyness or because he believed he ought to be shy, he kept his silence.

When an elderly customer entered the shop, the uncle got up from his seat and went behind the counter. The young man took the opportunity to gather himself slightly—he picked his bag up from the floor and set it on his lap, straightened his back, and went on alert like a soldier ready to stand at any moment. As soon as the uncle came back, he would say, "I should be going now, it's getting late." Or should he say, "Thanks for everything, I really must go"? Maybe the best thing was to say plainly, "I'm heading out, Uncle—see you later." He thought of other alternatives, added words, removed words, switched subjects and predicates, added adverbs, simplified. He just couldn't decide what to say and what not to say. It was the first time he had realized that what you don't say can be just as valuable as what you do.

At one point, he and the uncle made eye contact. He didn't know about his own eyes, but the uncle's were clear as glass—as if there was no secret behind them, like an open chest. He was a silent guard trying to contain the chaos inside him, facing an older relative who could say whatever came to mind without weighing it once. Could they ever meet in the middle? Perhaps the uncle's way was the right one. The more he thought, the more his sentences fell apart; the more he weighed and measured, the more the pleasure of conversation tumbled upside down. The best thing was to speak as it came, bluntly and openly. You had to tear out whatever had built up inside, without accounting for past or future.

"Don't go now—look, it's started raining," the uncle said from behind the counter, gesturing toward the window with his eyes. The young man looked outside. Raindrops struck the glass and slid down like thin centipedes. Why hadn't he noticed it before? He could have sensed the rain approaching just as well as taxi drivers or street vendors. The frequency of the drops was clearly increasing by the second. "Damn," he thought, "now I have to drop everything and keep up this pointless chat!" He got up from his seat and walked toward the door. For a while he watched the raindrops scattering like grains of wheat thrown across a field, under the light of the streetlamp at the head of the avenue. "If I walk even a minute in this rain, I'll be soaked to my underwear," he thought.

How beautifully the wet asphalt gleamed in the rain! The water splashed up by cars passing slowly struck the pavement stones like waves battering the shore. The headlights seemed to make the rain worse—under the light, the drops grew larger, becoming heralds of an unstoppable flood. Yet in the darkness, neither rain nor wind was visible! It was light that showed the young man what to fear, that revealed the object of terror. So should he thank the light? Or should he direct all his disappointment toward the light? He closed the door and went back into the shop.

"I might as well stay a little longer," he said in a hesitant voice, but as soon as he said it, his mind caught on the word "might." He had been rude, unjust, presumptuous for no reason—and now he couldn't take it back. Hoping no one had noticed his faux pas, he sat back down on the same stool. The uncle smiled. "Stay, of course—we still have plenty to talk about. Besides, your aunt will call us to dinner soon, and we'll go upstairs together. You'll meet the kids. The older girl should get to know you, take you as an example—she can say she has a big brother in university. Maybe seeing you will shame her into studying."

When they went upstairs, he found less than he had hoped for, or maybe more—a deep pity settled into him, of the heaviest kind. Should people who had lived in this city for years, given their labor to it, been nourished by it and nourished it in return—should they have to live in such a shabby place? The girl had retreated to her corner, endlessly playing with her phone. The boy was waiting for his sister to finish with the phone. Clearly, his turn at the game was next, and he had no intention of giving up. The uncle's wife was nowhere in sight, but clattering sounds came from outside the room. "Dinner will be ready soon," the uncle said in a fatherly tone, showing the young man where to sit. Then he turned to his daughter and called out, "Daughter, what are you standing there for? Say welcome to our guest!"

The girl came forward with her face down, in small steps. "Welcome!" she said in a barely audible voice. As soon as she said it, she turned right back around and sat down in the same spot. She hadn't even looked at the young man's face—but he, taking advantage of her shyness, had studied her face like a textbook in that brief moment. She had a long, beautiful face, a pointed chin, a broad forehead, long hair, and a modest nose... Everything was in its place, like those short equations that emerge at the end of a complex process—both admirable and doubt-inspiring. The freshness radiating from her fiery red cheeks reminded the young man of fireworks that light up dark nights with colorful bursts. Her eyes were on the ground, but it was clear from the curiosity spilling at the edges that she was sizing him up. Either she couldn't hide the need for attention gathering in her gaze, or she wanted to reveal everything to a man she was seeing for the first time. Had he read somewhere, or overheard friends talking in the university cafeteria, that women have no limits when it comes to revealing their secrets to unfamiliar men? Was this weakness, or revenge against those they knew—the eyes that measured, judged, and found fault every time?

With these thoughts, the young man turned his face to the window. The rain continued with full force. In fact, the drops striking the ground now pained him more than when he had first seen them. The presence of a beautiful girl within reach would surely change the young man's perception of the world. The rain was no longer the same rain, nor the city the same city. As if a wild horse had swallowed all its vitality and resilience. At the center of his heart was a black stallion—thrashing, stomping, kicking! The rain was no longer falling outside but inside—a dam he had never even noticed was filling slowly. Water was flowing, carving its own bed.

Dinner was noisy. The children kept complaining about each other. The sister complained about the little brother, the little brother about his sister, and their father was dissatisfied with both. The mother showed her displeasure through her silence. As if she were the mother of the wrong children, the wife of the wrong man, the female bird of the wrong nest... She seemed to want to become the steam of the soup, to escape, to be free. The young man hadn't missed the smoke-laden thoughts in his aunt's mind. He knew this best from himself—a devotee of escape. Going far away, never returning—wasn't that what everyone wanted but no one could do? If only he could believe he could become someone different wherever he went, he would surely slam the door and leave whenever the whim struck. Yet wouldn't he become the victim of the same passions, the same choices, the same searches at his destination? It wasn't going that was hard—it was changing. People too lazy to change took the easy way and focused on leaving, linking their inability to change to their inability to leave, thus avoiding responsibility. After all, man tries most to escape from being human, even if he puts a thousand screens between himself and that realization. And because he can't escape, he spends his life cursing those screens—the excuses he himself created, and the life those excuses nullified. If this weren't true, why would the dreams of everyone who wants to escape be filled not with other places, but with deserted islands, dim forests, mountain-top houses?

After dinner, the young man watched the rain for a while longer. At this rate, it showed no sign of stopping. It hadn't even slowed down, let alone stopped. He fell silent like a commander accepting defeat, as if he had lost his right to demand and object. The rain had taken him captive at the most unexpected moment, in the most unexpected house. He helped the uncle's younger son with his homework for about an hour. He found the mistakes in the test that the older daughter had started a week ago and abandoned out of boredom, and wrote the correct answers in the blanks. No matter how much her father insisted, the girl wouldn't go to work with the young man. From where she sat, she continued to watch the stranger in the house with furtive glances.

When bedtime came, there was no trouble. The house had two rooms. In one slept the uncle and his wife, in the other the children. The young man was left with the long sofa bed in the living room, no questions asked. The night would pass like an endless, boring film—that was clear from the start. The rain, whose patter never ceased, was like an executioner reminding its prisoner of its presence every second. "I threw you here, I cornered you here. You can't go anywhere," it said. The young man had no answer to the rain's threats. He waited a long time for sleep to descend upon him like a thick blanket.

At one point, he imagined a long, endless train moving through tracks covered in snow as far as the eye could see. He thought about how the train was a prisoner of the tracks, but he didn't dwell on that detail. What mattered was moving forward—even if he couldn't leave the tracks, he had to go; as long as he moved, he would exist. He drove the train along curves; it passed through snow-covered trees, waved at deer searching for food on the slopes, blew its whistle for village children playing ball in the distance. He continued on his way until daylight seeped through his closed eyelids and woke his weary mind.

There was light, but no sun. The living room was covered in dim illumination. The young man lay on his back for a while, thinking about where he was and how he had come here. Clouds had taken over his mind. He had just noticed the shiny stars pasted on the ceiling. "So in houses where children grow up, there are always stars," he said to himself. There was no sound of rain from outside. Since no sound came from the other rooms, everyone must still be asleep. Slowly he sat up, careful not to make noise, and stood. He wanted to run out of the house, to leave without looking back and never return. He had no intention of thanking anyone nor the luxury of wasting time with the optimism of "I'll drop by again sometime." He would take advantage of the rain's momentary pause and not forgive its weakness. He would run to the bus stop, then take the first bus to the city center. Then he'd need another bus to get home, but that part was easy—nearly half the buses departing from the city center passed near his house.

With soft steps, he approached the door, slid the bolt, and descended the stairs like a cat. The shop was just as they'd left it the day before. Touching nothing, careful not to bump into anything, he headed for the door and turned the key in the lock. As long as the key was in the lock, the door couldn't be opened from outside. Once he pulled the door shut behind him, he would be free of all his responsibilities. How humiliating it was to be a reluctant guest. To feel gratitude toward someone, to be crushed under the weight of a favor, to bend double with thanks and wary eyes... He had never liked such things. He had learned to be self-sufficient, to live without needing anyone, to stand on one foot if necessary, ever since the day he lost his parents. At this age, it was impossible for him to change. He pressed the door handle with his hand and leaned his shoulder against the door. The cool air hitting his face through the open door immediately halted the internal reckoning in his mind. He quietly closed the door. He was outside now.

The cold raindrops falling on his face and hands didn't frighten him. Though he tried to walk without splashing water on himself, he couldn't manage it. He thought if he ran to the bus stop, he'd get less wet. He quickened his pace. As he sped up, the rain seemed to intensify. His blue shirt was already soaking wet; the cold water was biting his body, the wet shirt sticking to his skin like a second layer. Running along building edges and under eaves didn't help either, because almost none of the buildings had proper downspouts from the roof to the road. So the drops at the roadside were larger and flowed faster than those falling from the sky. Besides, there was no one on the road—if there had been, he might have slipped under someone's umbrella and gone as far as he could. The rain seemed to have swept away not just the dust and dirt, but all of the city's people too.

When he turned onto the street leading to the bus stop, the rain had intensified so much that there was no visible difference between being newly wet and being soaked through. He was at least as wet as the stone he saw on the pavement, which had been under the rain since last night. He could feel his socks moving inside his shoes, cold water running down his groin, and the droplets collecting at the tips of his wet lashes creating a jar-bottom effect in front of his eyes. When he reached the stop, he was still hopeful. Soon a bus would come, pick him up, and take him to the city center. At least inside the bus he would escape the rain's sharp teeth.

The bus didn't come. The young man waited at the stop for over half an hour, but during that time, not a single car passed by on the road, let alone a bus. He wasn't afraid of the rain he was taking, the wind that occasionally blew and struck his chest, or the roaring sky—but standing stupidly by the roadside without going anywhere, getting wetter by the minute, had disturbed his young soul, which knew nothing of serenity. Either he would swallow his pride and return to the uncle's shop, or he would stubbornly walk all the way to his own house. Walking dozens of kilometers in this rain was certainly not wise, but going back was no good either. As he wavered between two minds, he noticed the uncle appearing beside him with a huge umbrella. Where had he come from, how had he found him, why had he bothered? He couldn't ask any of these questions.

"Come, let's go back to our place. In this rain, neither buses nor the metro run. You can dry off at home, have some hot soup, and then we'll figure something out," he said with a fatherly face. There was no anger on his face, nor the disappointment of betrayal. Perhaps he was used to the callous and impatient attitudes of young people. Was his high tolerance because he too had once been young? Or was this what it meant to be a father? The young man didn't bother seeking answers—he wasn't in a position to make choices anyway.

They huddled under the umbrella and returned together. They didn't speak at all along the way. The sound of the rain, tearing at the asphalt, covered everything, almost forbidding the thought and speech of anything other than itself. When they arrived home, the young man took a hot shower, put on the uncle's dry clothes, drank two bowls of hot soup—but still couldn't escape the cold that had seeped into his bones. First his fever rose, then came a cough he couldn't shake from his chest. His throat began to burn, his eyes ached, and all the muscles in his arms and legs started to throb. Afterwards, he remembered only lying down on the sofa to rest a little.

He lay on the living room sofa for days. When his fever dropped, his cough worsened; when his cough subsided, his throat hurt. It took nine days for him to recover. For nine days, he carried regret and shyness within him. He had unnecessarily burdened strangers, entered their lives for no reason. Having entered and not been able to leave, he silently pulled the flag of rebellion over his own face. During the sick nights, he had countless nightmares he couldn't remember. Sometimes he sailed on sailboats across stormy seas, sometimes he walked naked through the city streets. Neither the fear of stormy seas nor the shame of women's reproachful glances bothered him as much as lying sick in a stranger's house. He wanted what he was going through to end not while sleeping, but while awake.

Occasionally he saw the uncle's daughter come to his bedside and wipe the sweat from his forehead, but neither during the illness nor after his recovery could he find out whether this was real. Even if it was real, the thought didn't bother him much. So much so that his own lack of discomfort surprised him. Perhaps the girl's closeness was the only pain worth enduring, no matter the cost. If he was truly a prisoner locked in this house, then the interest he felt for the girl inside was the only medicine that could keep him alive. When trees dry up, they don't bear fruit—but humans are the opposite; they wither if they don't bear fruit. In fact, even the mere idea of fruit was enough to keep a person alive. As long as the fruit in one's imagination was worth living for. This is what the young man knew and believed.

When, after nine days, he believed he was fully recovered, he got up from his bed and thought to look outside the window. "Surely it has stopped by now," he said to himself. "It can't rain nonstop forever! Even the Amazon forests don't get such continuous rain for this long." When he approached the window and pulled back the curtain with his weak hand, he couldn't believe the scene before him at first. Was he dreaming? Was this one of the nightmares he'd had while sick? No; he had gotten out of bed, was standing by the window, the usual shouting sounds came from the children's room, and the living room smelled of medicine and moisture. Outside there was a morning leftover from night, neither comforting in its presence nor despairing in its absence. So many details couldn't come together in a dream. At least none of the dreams the young man had ever seen were so rich in detail—his dreams were more like momentary emotional discharges sensed in a blur. Either there was a sea inside them, or a shameful nakedness. In that case, who could explain what he was seeing?

"It's been raining nonstop since you got sick, my boy. Everywhere is flooded. We send the children by boat to the head of the street."

The young man had only just noticed his aunt appearing beside him. Like a ghost, she had come without touching the ground, covering the distance between the kitchen and the window. Her face bore an autumn that had shed all its green leaves; a deep melancholy reminiscent of a long, trying day had taken over every line of her features.

"Thank goodness you're awake, my boy. You've finally beaten the cold. The rain hasn't stopped at all—it rained so hard that sometimes we couldn't tell if it was falling from above or rising from below. One day it rained in lines, one day in torrents. One day it rained as if it weren't raining, another day as if saying, 'The earth belongs to me, just like the sky.' For the last four days, floods have appeared. The drains overflowed, the streets filled with water. Luckily, our house is on the second floor; we stayed dry, but the shop can't be entered anymore. Your uncle goes down occasionally for food and such. But he hasn't got the strength in his arms—he brings supplies, but when it comes to taking the children by boat to the head of the street, he gets scared. At the head of the street, the water reaches waist level, and a tractor picks up the children. We've been asking the neighbors for help for days. This morning, please take them yourself, so we don't have to keep troubling the neighbors."

The young man knew he couldn't say no to such a request. But he wouldn't say yes either. He wasn't bold enough to say yes—he had never felt like a leader; he preferred to follow from behind, from the edge, along paths already traveled. He would simply do what was needed. If he didn't help the family that had been caring for him all this time, he would be committing a great wrong. It wasn't the wrong itself that mattered—it was them saying "he was very rude," or even if they didn't say it, thinking it in their hearts. Besides, at a time like this, playing the victim was meaningless. This was a time not for talk, but for action. Even if it didn't suit him, he had to get used to it.

He went downstairs and looked into the shop. The water level was nearly as high as he was tall. From the top of the stairs, neither the counter nor the door handle was visible. On the steps, piled-up items rescued from the flood left only a single-person path. The shop seemed to have shrunk, become miniature. "The water's drawn back," he thought, chuckling lightly at his own joke. Only the debris floating on the dirty water retained traces of its former state.

When he went back upstairs, he found the little boy waiting with his schoolbag, ready. The older girl was just coming out of the room with a red comb in her hand. "Come on, young ones, let's go," he called to them both. That way, he had a reason not to treat the girl like a child. They were young people, not children; and he was a young man himself. If the boy tried to act like a sullen adolescent, he would say, "You're a grown man now—act like your sister."

The young man pulled the oars slowly. The little boy held the umbrella. The girl, to avoid getting wet, had no choice but to press close to them. The rain was light, but one shouldn't be fooled by its lightness. The young man was doing one of the most natural things in the world—rowing down the very street he had walked ten days earlier. It was like taking a leisurely trip on a calm lake after the rain. He realized that the feeling of ordinariness was triggered by the sight of people up and down the street rowing boats, but still, it wasn't easy to accept. The street's residents sat on inflatable pools, old sofas, and burst tires they'd thrown in front of their houses, chatting with neighbors. Had they gotten used to the water's presence, or were they trying to make the best of it, saying there was no point mourning defeat? Under the muddy water turning a naphtha green here and there, the street they knew was still there—the earth wasn't going anywhere, the rest didn't matter. One day would come when the waters would recede, and the street would be theirs again. The antennas of submerged cars gave him some guidance on where to steer and where not to. With this much water, he thought, the metro must certainly be closed.

When they reached the head of the street and put the children onto the tractor waiting there, he turned back. At a time like this, he couldn't abandon this family. "The best thing is to fix what's broken in the house, clean the shop, thank the family that's been looking after me all this time, and then leave," he said to himself. He felt proud of himself for a moment—proud to be someone who had made a decision worthy of pride.

When he returned home, the sheer number of tasks made him reconsider his decision, but it was too late to back out. First he cleaned the stairs, then carried up the remaining dry goods from the shop's windows and cabinets. He piled the items that weren't completely soaked against the wall of the upstairs balcony to dry. In the afternoon, despite the rain picking up again, he went back and forth in the boat, buying the food the household needed. Toward evening, he went again to the head of the street and brought home the little boy and the older girl returning from school. The day had passed quickly—he hadn't even noticed. Maybe he could go home tomorrow. At dinner, he said to the uncle sitting next to him, "If nothing goes wrong tomorrow, I suppose I'll go back home. Thank you so much for taking care of me all this time." But for some reason, he got no response from either the uncle or his aunt. If only they had said something like "Of course, my boy, off you go"—at least he would have felt better. But this reticent silence ruined his spirits. Was there something everyone knew that he didn't? After dinner, he first helped the little boy with his homework, then the older girl with her term project. They worked late into the night—sometimes he was the teacher correcting her mistakes, sometimes the brother teasing her about her errors. The old shyness had given way to a friendly relationship. Even the young man was surprised at how open he could be, how easily he could talk to the girl.

The next day began with rain again. Whoever opened the window was met by a scowling sky. The children couldn't go to school because of the waves caused by rain and wind. "You can't go out in this weather," the uncle said when he saw the young man getting ready. More than a shopkeeper running a store in the city's outskirts, he had the air of a fisherman who had spent his life at sea. "Don't go out in this weather—the waves will swallow you..." Another whole day would be spent at home. The young man spent the day repairing the broken items he'd brought up from the shop. He spent a long time dismantling the planks swollen from soaking up water. The young girl, curled up in her corner, watched him. She observed his sensitive face shifting through colors like a detective following a thief, recording every move—smiling when he got angry and threw materials on the floor, resenting it when he whistled as he worked.

When the young man took a break to rest, he turned on the TV to check on the city's situation, but no channel had any coverage of the flood. All the images showed other parts of the country, citizens continuing their usual happy lives under a brilliant sky. ÇTV was off the air. Either the TV building had been flooded, or the government had temporarily suspended the channel's operations so that the shameful images of the citizens' plight wouldn't cause unwanted consequences. "Considering that no other channel has even the slightest news about the flood, ÇTV being closed makes more sense," the young man thought once he realized the situation. After all, if it wasn't going to broadcast the biggest disaster in Ç's history, what was the point of ÇTV? Wasn't a ÇTV that didn't represent Ç a contradiction in itself? In that case, if it stayed on air and broadcast other news, wouldn't it become ridiculous in the eyes of the people living in Ç?

Abandoning TV for the radio, they encountered a similar situation. Only announcements that the city's largest university was closed due to bad weather, and that metro and bus lines weren't operating. Then they moved on to other news. The great actor K.T. had entered his third marriage, and President R had made his second visit. The famous basketball player Y.M. had met with his fans one last time before retiring, civilly distributing thousands of personally signed photos to young people standing in line...

The next day, the rain was drizzling, but it still wasn't safe to go out. At the cost of getting completely soaked, the young man took the children by boat to the head of the street and then returned home immediately. He no longer felt any longing for his own house, his own room. The relationship between him and his home was like a worn-out love—too respectful of memories to break, too lacking in interest to see each other often. Surely one day he would go home, but it didn't matter when that day was. He would go—that was the only thing he knew. The rest didn't matter.

In the following days, the young man became more involved with the girl's project. The project finished, and the exam preparation period began. Meanwhile, they grew warmer toward each other; the girl sent him signals, one contradicting the other, through subtle touches. One day her hand accidentally brushed his; another day her hair grazed his face. The young man might have been foolish when it came to trusting people, but when it came to girls, his mind worked differently—just like any other man. He could decipher the messages the girl was sending. Because he couldn't do anything about it, he was constantly on guard while inside the house. Sometimes he thought, "What if the uncle sees, what if the aunt notices; they're taking pity on me and hosting me, and I'm provoking their daughter who's at marriageable age. Does this suit me at all?" But other times he thought, "Isn't their presence the only reason I'm here? Just as I eat their food and drink their water, I should be able to use the house's resources for my other natural needs—like loving and being loved." With this nebulous state of mind, one day he would say to the girl, "Come here!" and for the next two days he'd say, "Don't come near me, it would be bad."

On one hand, the love he was growing in his heart; on the other, the house's endless chores... The young man had forgotten the fact that he had a home on the other side of the city. Sometimes two or three days would pass without his home, his room, or the desk he'd left behind even crossing his mind. On days like that, when his room suddenly came to mind and a longing filled his heart for no reason, he would try to calculate how many days it had been since he'd last thought of it. He felt a mature pride for the days he hadn't even brought his old life to mind—a justified confidence appeared in the center of his chest from being able to leave things behind.

He couldn't remember which movie it was, but the leading actress, with all her maternal warmth, said to her young son, "Beware of those who have no wounds." A person needed a wound to be human, to understand others, and to invite outside light into their body. Every person needed a wound that wouldn't heal, or if it healed, left a deep scar in the most invisible part of the skin, aching from time to time. Perhaps the life he had left behind was that very wound that would leave a mark on his soul—he should long for it, but also forget it just as much, cover it with cold ashes, and hide it from others.

Some days, after lunch with the uncle and aunt, he would sit by the window, watch the fine rain falling, imagine the sun above the pitch-black clouds, and try to bring to mind all the details of the life he'd left behind. His house, his room, the door, the doorknob, the bed, the bedspread, the desk, the desk lamp, the open textbook, the problem solutions written in the book, the lines of poetry scattered among them... But no matter how hard he tried, he couldn't reach the desired result. All that appeared in his mind were blurry, silhouette-like images, like a person moving behind frosted glass. He could go neither forward nor backward from this point. Their relationship was like a finished love affair. Even if he gathered all his courage and tried to return, to be reunited with his house, his room, his desk after all this time—he knew very well that nothing would be the same as before. He would quickly get bored, feel stifled, sigh and puff, say "What did I even love about you, what did I miss?" and run away from his home.

Besides, he now had a home here too—one he cared for and that cared for him. There was also the girl, with whom he played hide-and-seek inside the house. The unnamed ball of affection between them was like an avalanche ready to fall. Once it fell, it would sweep away everything in its path—they both knew this. They just didn't dare to cause the first crack in the snow mass piled on the slopes.

One evening, in the twilight of a day when he missed his old life but didn't think of leaving, he kissed the girl on the lips for the first time. Schools had closed, vacation had just begun. The rain was falling crookedly outside. The young man sat by the window, quietly reading an old book he'd found in a forgotten corner of the house. He had noticed the girl approaching, but didn't want to show it. He liked giving people the message that he wasn't paying attention. Even though the girl had no interest in books, she asked questions about the author, made unnecessary comments, and pressed herself close to the young man. So close that her long black hair fell over the pages, slipping like a spy between the letters and words, filling the spaces on the page with messages written in a language only the young man could read. The scent of the girl's youthful skin made him forget the worry that there might be others in the house. Besides, the girl knew very well that her mother had gone to the neighbor's, and her father and brother were cleaning the shop downstairs. She had calculated everything before coming—she had no intention of leaving things to chance. Only after ensuring all conditions were met did she lay her head on the young man's shoulder, signaling that she was waiting to be kissed. And the young man could no longer hold back the waters of the dam he'd kept in his heart for months—he slowly opened the floodgates, releasing everything he had into the riverbed that had been dry for so long.

In the following days, their time was spent calculating the moments they could be alone in the house. Even in the time it took to smoke a cigarette, when the parents weren't home or had gone down to the shop, they found each other's arms, bodies bruised by the rain. This was a kind of revenge—against the needle-like rain, the black clouds that made the sky unbearable, the raging waters that condemned the streets to mud and flood; above all, against the fate that trapped the young man and the young girl in the house... Despite all the adversity, they seized every opportunity, finding each other's lips like a blind person searching for raised markings on the ground. This was nothing more than a small candle to offer to such a dark life. In a place where the sun was hidden behind layered clouds, where rain like thorns tore out the city's lungs, what else could a person cling to but love?

Whether what was happening between them was love or simply two wretched people falling from a cliff holding hands before hitting the ground—neither of them knew. The only thing they knew was their need for each other's flesh. It was flesh—it drew the other in, then sucked, swallowed, destroyed everything impure in the world. It colored their souls, weary from carrying rain and clouds, with the reddest of reds and the whitest of whites. However, an accident in the third month of the young man's stay was enough to fade all the colors in the picture.

The uncle and aunt had taken advantage of the relatively good weather that morning—now classified as "little rain" spring, "too much rain" autumn, or "crazy rain" winter—and gone to the tailor at the head of the street. The aunt was having a dress made, one with flowers and ladybugs on it. She had wanted the uncle to see it, approve it, at the very least like it. Shortly after they left, the rain began to fall—not like pouring from a bucket, but as if every cauldron in the sky had been overturned. The downpour was so intense that the drops seemed to merge in the air and fall to the ground in masses. The street was suddenly captive to the flood; the shop, newly repaired and cleaned, began taking on water like a sinking ship. The young man and the little boy went downstairs and tried with all their might to block the holes and prevent water from entering, but they couldn't. Within five minutes, the water level reached their knees. The young man, in a state of accepted defeat, went back upstairs while the little boy, with childish stubbornness, continued plugging the holes. He had only reached the middle of the stairs when there was an explosion at the point where the boy had covered the holes with his hands and arms. An explosion, followed by a thin scream, echoed through the shop's walls, making the young man fix his terrified eyes on the little boy. The child had fallen into the water right there, face down on the surface. The young man ran immediately to save him—but the electricity in the water prevented him from reaching the child. Then he understood the gravity of the situation.

By the time they cut the power and reached the child, it was too late. His heart had stopped, his body was ice-cold; the child in his spirit had merged with the water, had become the water itself. For days, tears flowed in the house; like spring waters too much for the gutters, drops overflowed through the nights, laments were sung, mourning clothes were worn. One way or another, the rain had finally entered the house, rotting not just its walls and doors but its very soul.

After the child died before his eyes—a child entrusted to his responsibility—the young man resolved to leave. Once the mourning period was over, once the waters calmed a little, once the rain lessened even a bit, he would escape from this ill-fated house. True, he had brought the ill luck himself, but for some reason no one suspected him. The hearse that came to take the little boy couldn't enter the street. The boatmen were asked, but they didn't want to risk carrying a coffin in days when waves were pounding and eroding the building fronts. Finally, they drilled through the concrete of the courtyard behind the house and buried the child's tiny body there. This was better than letting it rot inside the house. Besides, for a mother who had lost her son at such a young age, having the grave so close was a comfort. Every day, the mother went out with a large parasol and wept for hours at the graveside—each day searing the young man's heart from a different point, as he woke with the intention of "going home this morning."

After the child's death, the girl had not come close to the young man even once. They only caressed each other's hair with their eyes, unable to embrace and weep together because of the greatest loss. It wasn't their mourning that caused this distance. At a time when everyone was seeking consolation in other family members' arms, the young girl was mostly at her mother's side. The father, like the young man, had taken to sitting by the window, waiting for the rain to stop. Whenever the image of his little son, the days they'd run through meadows and grass in sunny weather, came to mind, he felt the rain seeping through the window, piercing his chest, flowing inward—but he still didn't show his sorrow. His wife was already devastated by grief; if he also lost himself, the household balance would be upset beyond repair. The young man had joined this family tragedy from the outside—an ineffective element whose presence or absence went unnoticed. He didn't mind this, but a voice inside him whispered that his now thoroughly internalized guest status wouldn't last much longer.

One evening during dinner, taking advantage of the girl being in her room, the aunt finally spoke. Even the walls seemed to have forgotten her voice, let alone the household. Her voice was so foreign, as if torn from another life entirely. "I think you should get married," she said. "You love each other, you know. The girl's not going to university, and you're not leaving this house either. Let's marry you off—would that be so bad? You'd become this house's son, take care of the shop, handle the errands. You'd be our son. What do you say, huh? We could even have a small ceremony."

The young man didn't know what to say in response to the aunt's proposal. The food stuck in his throat; everything he'd eaten lined up one after another. So they had known all along—so just as he and the girl had hidden their love, the elders of the house could also hide things from them. He remained silent for a while, deciding on an instinct to act as if he knew that they knew. He looked at the uncle—or pretended to. There was no sign of the rain stopping outside, and even if it did, he had no intention of going anywhere. A house he had stumbled upon by chance had become the house that would determine his future—this surprised him most of all. The apartment he'd left behind three months ago, the open book on his desk in that apartment, had all become faded memories. The rain had swept away even the details that had fled to the deepest corners of his mind. Now it was time to look forward, to live knowing there was no turning back.

Two weeks later, when they held a wedding ceremony inside the house, the young man was happy. Despite the rain pattering outside, despite the constant presence of the little brother's ghostly memories, despite the grief that would never fully leave the house, despite the young girl crying for her lost brother—he was happy. The neighbors may have found it difficult to adapt from a house of mourning to a house of celebration, but the strangeness of the young couple using the room the girl had shared with her brother until a few months ago as their bridal chamber couldn't be ignored.

That night, the hours passed long for both of them. The night expanded, engulfing all past and future, covering the young couple like a silk blanket. No one could harm them now, no one could touch their fragile bodies, no one could cast an evil eye on the fire burning on their skin, no one could rule over their small enchanted garden. Not even the rain—which had been falling relentlessly for months, at times taking lives and breaking hearts, at times fraying nerves and destroying homes...

---

September 2014

Published in Turkish in 2016 in the short story collection The Blue of the Hazy City. English translation is made by Deep Seek on Aug 6th 2026.

16 Haziran 2026

The Last Day of Tokjai (4)


 

Animal Consciousness

 

"What's wrong with Tokjai? He never used to sleep this long! He hasn't finished his food either."

My chin is spread over my paws like a slippery silk handkerchief, my body numbed by the coolness of the hard concrete, waiting in the position where I feel the least pain from the wound on my rump. Occasionally, I flick my tail to chase away flies landing on my wound. Sometimes I force myself to lick the uncoagulated blood that accelerates my end. I've been awake for a while, but I am too lazy to get up. Besides, it hurts most when I sit down and stand up, so I try to minimize those movements. Once I'm up, I want to do everything — eat, drink, pee, survey the area, bark. Otherwise, my moaning disturbs Mother greatly. Others might not notice, but I'm sure Mother feels my pain very deeply. It's a feminine perception, characteristic of those who devote the spaces between pains to meaningful tasks — the opposite of men, who see life as the sum of their sufferings and make pride out of that sum. The conversations reach my ears. Without changing my position, I listen to the sounds that are far from me but at the same time near to me…

"Did you do what you said, son? You were hanging around Tokjai's food bowl."

"No, Mother, I didn't do anything. And if I were going to…"

"So, what were you doing there?"

"I cleaned his water bowl, Mother. I do it every time I come, don’t you know?"

"With you, it's hard to tell. We spoiled you too much, and you're headstrong. If you'd had a sibling, you wouldn't be like this, but you don't."

"Look now! Why do you say that, Mother? What fault have you ever found in me?"

"I tried to take a little nap. I couldn't sleep because of what you said. I had all sorts of strange dreams. In the last one, Tokjai was digging a huge grave with his paws. 'What are you doing, Tokjai? Isn't that grave too big for you?' I asked. He turned and looked at me slyly and said, 'This grave isn't for me.' I was scared — I felt like boiling water was running through me for a moment. Seeing Tokjai speak, even in a dream, doubled my worries."

"Don't worry, Mother, even if I decided to kill Tokjai, I wouldn't do it without your approval."

"See, you're still talking about killing. Don't, son, don't say that word. No one is going to kill anyone. Tokjai is part of this house, this family, even this village. If I were sick, would you kill me right away?"

"What does that have to do with it, Mother? You're human — you can understand life and death. Can Tokjai? For him, there's only the day he's living, and each day he's living now is full of agony. I'm just saying we don't have the right to make him suffer like this. Besides, after you said no, I won't lift a finger, don't worry."

"How do you know Tokjai doesn't understand the meaning of life? And what good did all your understanding do? Who has ever benefited from your understanding of life, tell me now!"

Tossapol doesn't answer this question. After a long silence, I hear a clatter from the dishwashing basin. He's going to prepare himself a drink. He does this when he wakes from his afternoon nap, to moisten his dry throat — either iced cola or chanomyen[1]. I hear the liquid gurgling down his throat. Then silence again. Did he fall silent because he had no answer? Or because he's afraid of arguing with his mother? Maybe he doesn't even believe in the truth of what he said himself — he read or heard it somewhere and tosses it out whenever he gets the chance. There's one more possibility. Maybe his mother's question increased his doubts, made him think deeply, and he decided he was wrong. Could it be? Why not?

Tossapol has been like this since his youth: he's not a fighter. Either he gives up quickly or changes sides at the slightest nudge. He experiences his first hesitation by considering the possibility that the claim he's about to make has already been made many times by others. The thought that comes to mind may have no great value that can be proclaimed, shared, or grasped by someone in need. Even if he gets past that, somehow persuading himself that his thoughts have value, there's the matter of standing behind his ideas and defending them tirelessly. Tossapol almost never does this. He can't quite believe that the things he says could be claims worth standing firmly behind. Doubts like "What if I'm wrong?" "What if I'm unjust?" "What if there are nuances that I haven't realized?" constantly echoes in his head. Trying to examine these echoes one by one, he loses his upright posture. He bends, leans left and right, turns his head in the direction the wind blows, thus believing he's protected from breakage and fracture. He is protected; therefore, everyone loves Tossapol, everyone knows him as a pleasant, gentle, and respectful friend. But in the long run, he pays the price. While he thinks he's continuing safely down the same path, he fails to notice that the road beneath his feet has changed. When those around him find themselves — a cause to cling to, an ideal to spend a life on, a unique dream that makes them forget all other dreams — and abandon those who can't keep up, Tossapol will realize how alone he is. Maybe then he'll regret it and, in a final struggle, try to attach himself somewhere. He'll want to, but those dreamers who've spent years making a dream come true will understand his intention before he even opens his mouth. They won't accept Tossapol, and just as they refuse him, they'll insult him. They'll mock his efforts and say, "In our dark days, in poverty and misery, while we fought despite our weakness, embraced each other to gain strength, and celebrated our small victories with modest gatherings — you were not with us. Now you are the one who is alone and helpless. Why should we be with you?" Then Tossapol will hang his head, his face burning with shame like a shy child whose pleas have failed, and retreat into his own world. He'll live as someone everyone loves and die as someone no one cares for…

Am I exaggerating? Maybe! I've dramatized it too much. He just didn't answer his mother. But it's not only toward his mother that he behaves this way. When the country was divided into reds and yellows, Tossapol stayed silent. When the coup happened and soldiers patrolled the streets of Bangkok in tanks, he didn't speak up. When a female student at his school was raped, he didn't support his friends' action for a more peaceful campus. Instead of joining the protest and supporting his violated friend, he went to the movies that day with a girl as cowardly as he is. He always prefers to stay on the sidelines, and most likely his being an only child plays a role in this. When you're an only child, you're the offspring that parents dote on and watch every move. Whenever you try to make a decision on your own and carry it out, it doesn't take long to realize it was wrong. Whenever you try to go somewhere alone, you get scolded upon your return. How different can the adulthood of someone who spent childhood and early youth like that be? Perhaps the fear of parents is replaced by the anxiety of upsetting them. That's all. So as not to upset them, you don't open your mouth, you don't speak the truth, you don't take the roads you should take, you don't take the necessary measures. Living a life that won't upset your parents, you fail to realize that the sum of what you live don’t even amount to half a life.

Fine, we dogs don't have much say in these matters, but at least we can take a clear stance when it comes to communicating and expressing our troubles. If a dog barks, he's angry or senses danger. A dog doesn't start barking wondering, "Should I be angry?" If he barks, the reason is one or the other, and it doesn't take long to find it. So, if a dog barks, it's the result of a need. In humans, the situation is much more complex. First, no human can stand behind what they say with one hundred percent confidence. They always have the right not to say it, and if they have spoken, they have bypassed that right. That is, during a meal in the canteen — I'd seen many fights in the university's open-air canteen — if someone cuts in front of you, you can get angry and shout. You can also stay quiet. You can hesitate and choose to remain silent like Tossapol. Second, and more importantly: every sentence spoken, every claim made, aims to garner support for the idea it defends. If you say, "This mango is yellow," you mean to state that the mango is yellow. Fine, but if you're sure of your claim, why do you want to say it out loud? Because you want your claim confirmed by others, for someone to follow you, and for those same people, when the time comes, to defend your ideas to the death. In short, every claim made verbally aims for leadership. You can keep saying the mango is yellow for a long time, conduct research, prove the claim by various methods. The crowd that initially found your work meaningless will, after a while, appreciate it. Then they'll follow you. Thus, you'll become the leader of those who say, "The mango is yellow." Believe it or not, there's a hidden desire to gather followers in every sentence humans utter. You can test this easily by objecting to a simple sentence, persisting in your objection, and observing the results.

"I didn't say he doesn't understand life, Mother! I said his view of life is different from ours because he has no consciousness. We know we will die — that's why life is important to us."

Ehh, Tossapol — almost half an hour has passed. Now, you think of answering your mother? She's already forgotten what she asked.

"What are you saying, son? Enough about consciousness and life. Look, it's cooled down. There's a hose under the barn. Take it to the garden. After you pick the custard apples, I'll water the garden. Then let's not go in again — our feet will get muddy."

"That job might not get done, Mother. Look, Father didn't finish cutting the grass. He's asleep in the swing. Let me do the grass before the meal. If there's time, I'll pick the fruits."

I hear footsteps, steps moving away, the flip-flop sound of the back of thong sandals hitting the heel. Tossapol goes to the front of the house to finish the job his father left half-done. I'm left here to wait and think, whether I like it or not. I don't move from my spot; it's still very hot outside. When it's this hot, bodies inevitably become drowsy. When the body is drowsy, the mind wanders into subjects it would otherwise find unnecessary. With the courage that comes from having nothing to lose, or with cheap opportunism that counts even the smallest gain as profit.

"There you go again, finding a way to slack off. If you hurry, you could do both. You've wandered around and wasted a ton of time. Now you're ignoring the job your mother gave you, and on top of that, you're talking nonsense… Tokjai has no consciousness, his life has no meaning. Who are you to pronounce such lofty words?"

Mother is right, all the way till the end. What had Tossapol said? Animals have no consciousness. Animals can't grasp the meaning of life. Every time I hear this, I'm sad that I can't speak the human language. Helplessness settles in my stomach like a huge lump of sticky rice swallowed without being chewed, stuck there for hours without moving an inch. Yes; if I were human, I'd take Tossapol aside and teach him how anthropocentric and biased what he said is. "How selfish and greedy are you?" I'd ask him. "Why do you see the whole universe as a system revolving around your being, gaining meaning only according to you?" I'd add. Then I'd continue without stopping. I'd lay out clearly and plainly how, when humans talk about the meaning of life, they're actually talking about a narrow concept limited to their own lives, and that even if they wanted to, they couldn't easily give up these narrow definitions. That is, when they say "the meaning of life," they're discussing the meaning of human life, because they don't know or recognize others. Naturally, they don't include dogs, cats, flowers, or insects in their conversation. Thinking they're talking about all living beings with the glitz and glamour of universal concepts that confuse the mind and flatter the ego, they open the door to an even greater disaster. We animals also have lives, and as long as we stay true to our own parameters, our lives also have meaning. To think otherwise leads the claimant straight into inconsistency and contradiction. After all, how could the life of a dog who has faithfully performed its dogly duties for fifteen years be meaningless? How could it be said that his existence is deficient?

"Tok, Tok, Tok… Where are you, my baby? Where has this animal gone? I haven't seen him since lunch. He's not in his usual sleeping spot either. Tossapol, where is my baby, Tokjai? Go look in front of the house and see if he's come there."

Mother is looking for me, but I won't make a sound. I haven't finished my thoughts on meaning yet. Let her search a little longer — even if she looks under the barn, she won't easily see me. There's a lot of junk here. Besides, her eyes aren't very strong. Let her keep worrying — I'm sick. My head is sharper than ever before, but my body is fading. Let me continue with the concept of meaning; I'm enjoying thinking about it. What I fear most is that I'll die before I finish.

Let me explain it this way. Eating, drinking, breathing, running, sleeping, sitting, wagging my tail, being affectionate, having my head patted, barking, growling… Putting all these together already reveals the meaning of a dog's life. That is, meaning is nothing more than the sum of what is done and the complex network formed by the connections among them, just like farming or doing math. The meaning of the existence of all complex systems is nothing but the sum of the elements that compose them and the visible or invisible paths connecting those elements. Isn't human life just the sum of the actions they perform? Does life have some secret meaning that I don't know about, that humans don't talk about when a dog is present? No! They live because they were born, and so do we. They struggle for good food, enjoyable times, a healthy life, and so do we. They want to have children and pass on their genes to the next generation, and so do we. I don't understand all this fuss. Every living thing lives its life meaningfully anyway. They live as they should, neither less nor more. The tales you invented afterward, the stories you imported from outside and gave a domestically produced veneer — they don't give life meaning; on the contrary, they steal the meaning of life and put in its place tools to facilitate the exploitation of others. You believe in fairy tales about life after death or before birth, kill each other, shed blood for others, and think your life gains meaning this way. I wish you could be as smart as animals, that you could use your highly developed brains not to produce baseless meanings, but to make efficient use of what exists. But no — when it suits you, you're the most evolved being, the most intelligent creature, the most creative mind. Yet when you look at your state in the world and the harm you do, many animals say, "I'm glad I'm not human." Because being human means being more royalist than the king himself, being human means a never-satisfied search for meaning that destroys your own species, other animals, and other non-animal creatures that can never be replaced. The consciousness of humans becoming so selfish and seeing themselves as the chosen beings of the universe is nothing other than the suicide of evolution, the death of the historical mechanism that produced that consciousness. Write that down somewhere. Let that be a small lesson from Tokjai, the old and veteran dog, to humanity that has lost its way. All flaws begin with humans seeing their own intelligence as absolute intelligence. Yet human intelligence is just one of millions of possible forms of intelligence. Humans are not the smartest, most supreme, or most agile — they are just different.

"He's not behind the trees in the hollow either. I looked in the concrete gap under the guest rooms. He hasn't gone under the car. I even looked inside the house in case he'd gone in — but no. You don't think he went into the barn, do you? No, don't be silly! What would he be doing in the rice barn? Besides, the barn door is locked — how would he get in? I looked under the barn, but I didn't see him. Wait, let me look again."

Am I going too far? On the contrary, we're just beginning. Let's look at Tossapol's second claim. What was it? Dogs have no consciousness. How do you know? Or rather, how did you arrive at that conclusion? Using your own consciousness, right? What does that mean? It means my consciousness denies the existence of yours because mine is superior. That is, I have absolute consciousness, or there is an absolute consciousness and I somehow carry it inside my brain. All consciousnesses other than mine are either hierarchically weaker or dismissed because their existence cannot be proven. I can ignore the boastfulness in this claim, but I cannot ignore its logical impasse. Humans know very well that the genetic difference between them and chimpanzees is less than 2%. That is, with a 2% addition or change, a chimpanzee can become human. Let's indulge in a little fantasy and add another 2% to the 100% human. Let's call this 102% human a "tuman" for clarity. Could we stop this tuman from looking at 100% humans the same way contemporary humans look at chimpanzees? When tumans start experimenting on humans kept in their homes, and start looking down on their consciousness, won't humans object? They will, but because they can't surpass the intelligence of tumans, and because they don't speak the tumans' superior, convoluted, multi-layered, complex language, their rebellion won't amount to anything. Worse, tumans will study human behavior, prepare reports, and announce to each other via communication devices of a sophistication humans can't fathom — how instinctual, mechanical, and devoid of tuman-like feelings and rationality human behavior is. Because for tumans, understanding the meaning of life — tuman life — is only possible by being tuman, and living beings other than tumans cannot grasp the meaning of life. Of course, here the tumans, just like humans, would make the mistake of imposing the meaning of their own lives on others. Since the superior mechanism they call tuman consciousness belongs only to them, they will see themselves as superior to all other living beings. They will acquire strange habits to add meaning to their lives that no other living beings' mental powers can reach, and they will attribute the inability of other beings to understand those habits to their low intelligence, lack of consciousness, or at best, the meaninglessness of their lives. Looking at humans, the tumans will make the same mistakes that humans make when looking at other beings. The problem of the meaning of life will occupy the tumans' minds just as it occupies humans' today. Tumans will engage in serious debates; those who choose Path A to assign meaning will wage war on those who choose Path B. Path C and D will ally to try to defeat B. Path D will be smarter, offering strategic support to A but not standing by them in peacetime. This hubbub will continue for a long time. That is, while humans continue living their ordinary lives, they will find the tumans' meaningless quarrels unnecessary, irrational, even stupid. Just as the pet cat of a man reading the newspaper finds his master's behavior every morning pointless, humans will see tuman behavior as equally empty and foolish.

"Aha, there you are! How did you get so far back there? Come on, get out and walk around a bit. Stretch your legs. The vet recommended you move. The wound will get more infected if you stay still. You haven't moved since lunch — you've been sleeping nonstop. It's hard to tell if you're dead or passed out! Look, Tossapol is here. Until he leaves, my mind will be on you. Come on, get up, get up. Come on, Tokjai!"

She pokes me with a long iron rod. First, I growl but soon give up this irritating attitude. She means well — as always, she's on my side. Leaning heavily on my numb legs, I slowly get up. I pass through the rusty, dusty items — this is the only place in the house whose smell hasn't changed in fourteen years — and put my feet on the ground that the sun has been beating down mercilessly since morning. The air has cooled a bit, but it's still very hot. I can feel Mother standing beside me. She laughs by herself, murmuring at the same time. The bittersweet joy she's feeling splits every word she says like a knife splitting a watermelon in half. I sense that she's both happy and unhappy at the same time. Both at peace and uneasy at the same time.

"Come on, Tokjai, go toward the front of the house. Look, Tossapol is cutting the grass. You love the sound of the lawnmower. Wander around a bit, drink some water from the duck-shaped pot by the garden gate, pee by the wall, bark a few times… Do these things so I know you're still being Tokjai. Do them so that your exhaustion and silence wear less heavily on our hearts."